
Contents
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A Brief History of the Phenomenology of the Stranger A Brief History of the Phenomenology of the Stranger
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Husserl: The Other Who Does Not Appear Husserl: The Other Who Does Not Appear
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Levinas: The Other Approaches and Disappears Levinas: The Other Approaches and Disappears
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Derrida: The Other Is Awaited, the Foreigner Arrives Derrida: The Other Is Awaited, the Foreigner Arrives
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Ricoeur: The Return from Hyperbole to Translation Ricoeur: The Return from Hyperbole to Translation
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Merleau-Ponty: The Other and the Wake of the Body Merleau-Ponty: The Other and the Wake of the Body
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Poetic Phenomenology: Aesthesis, Poiesis, Phronesis Poetic Phenomenology: Aesthesis, Poiesis, Phronesis
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Incarnation and the Intertwining of Aesthesis-Poiesis Incarnation and the Intertwining of Aesthesis-Poiesis
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Dialogical Hermeneutics: Phronesis Dialogical Hermeneutics: Phronesis
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Strangers Encountered: Literary Liaisons Strangers Encountered: Literary Liaisons
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Poetics of the Stranger: Excess and Transcendence Poetics of the Stranger: Excess and Transcendence
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At the Threshold: Foreigners, Strangers, Others
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Published:May 2011
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Abstract
What exactly do we mean by “Stranger”? The Stranger, as we understand it, is not identical with the “Other” or with the “Foreigner.” Metaphorically, we can see “thresholds” defining the edges of human being in many ways: for example, you find a threshold at the limits of your physical body, a threshold of pain, of pleasure, a threshold at the limits of one culture and another, one political group and another. At such thresholds of experience, we stand in an event: an opening onto hospitality. Phenomenology has a particular place in the history of philosophy as a practice of perceiving and attending to the strange in ordinary experience. In dealing with the Stranger, this book concentrates on the phenomenological tradition inaugurated by Edmund Husserl at the outset of the twentieth century and extending through Martin Heidegger, Emmanuel Levinas, and Maurice Merleau-Ponty to the hermeneutics of Paul Ricoeur, the deconstruction of Jacques Derrida, and the psycho-semiotics of Julia Kristeva.
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