Abstract

Although scholarship has noted that the ‘faded brown book’ mentioned in Woolf’s The Years – in which the world is ‘nothing but thought’ – is a probable reference to the eighteenth-century philosopher George Berkeley, the full extent of Woolf’s adoption of Berkeleian ideas has not been accounted for. In this essay I argue that Woolf’s use of specifically Berkeleian images – including a coin-like moon and mind-dependent trees – feeds into a larger narrative technique in The Years relating to semblance: the way things seem or appear to be. Although The Years is sometimes understood as a comparatively ‘realist’ work by critics, I show that even its most apparently ‘objective’ scenes retain a semblance of subjectivity, upon which Woolf’s idiosyncratic realist mode depends. Reading Woolf alongside Berkeley, I develop a case study in the ways in which literary aesthetics can take up, and also challenge, philosophical theories of knowledge.

This article is published and distributed under the terms of the Oxford University Press, Standard Journals Publication Model (https://dbpia.nl.go.kr/journals/pages/open_access/funder_policies/chorus/standard_publication_model)
You do not currently have access to this article.