-
Views
-
Cite
Cite
Tara Talwar Windsor, Marginalized Memories and Multi-Layered Narratives of the Great War in Kamila Shamsie’s A God In Every Stone (2014), Forum for Modern Language Studies, Volume 56, Issue 2, April 2020, Pages 229–246, https://doi.org/10.1093/fmls/cqaa005
Close - Share Icon Share
Abstract
Taking Kamila Shamsie’s 2014 war novel A God in Every Stone as its core case study, this article examines the development of increasingly complex, heterogeneous and inclusive understandings and memories of the Great War in the twenty-first century. It demonstrates how the novel’s complex and intricate narrative, as well as its paratextual framing and much of its reception, offer a timely engagement with a range of hitherto hidden or marginalized histories, particularly in relation to the role of women and experiences of South Asian soldiers, as well as with colonial violence and anti-colonial resistance in the war’s aftermath. At the same time, the novel underscores the ambivalences contained in those stories. Through this analysis, the article considers the extent to which A God in Every Stone can be seen as a ‘more expansive form of commemoration [...] with the scope for multiple narratives’.1 The novel is also ‘historically and ethically responsible’, not least in its critical reflection on the purposes, practices and power structures behind longer-standing historical narratives and cultural memories of the war itself and the (imperial) past in a post-colonial global context.
