Joyce, Medicine, and Modernity
Joyce, Medicine, and Modernity
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Abstract
James Joyce's interest in medicine has been well established — he attempted to embark on medical studies no fewer than three times — but a comprehensive assessment of the influence his interest in medicine had on his work has been lacking until now. This book fills that gap as the first study of Joyce's artistic uses of turn-of-the-century medical discourses. Joyce tackles such topics as health and the human body, as well as medicine and morals, alcoholism, and the aesthetics of reproduction. The book balances close readings of Joyce's major texts with archival research that retrieves principal late nineteenth- and early twentieth-century medical debates. The result is a book that details the ways in which Joyce reconciled, integrated, and blurred the paradigmatic boundaries between scientific and humanist learning.
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Front Matter
- Introduction
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1
Joyce and Modern Medicine
- 2 “Alcoh alcoho alcoherently”: Alcoholism and Doubling in “Counterparts”
- 3 “The Heinous Sin of Self-Pollution”: Medicine and Morals in A Portrait of the Artist as a Young Man
- 4 “The True Purefoy Nose”: Medicine, Obstetrics, and the Aesthetics of Reproduction in “Oxen of the Sun”
- 5 “Nerves Overstrung”: Neuroscience and Ergography in “Eumaeus”
- 6 “On the Hands Down”: Eugen Sandow and Physical Culture in “Ithaca”
- 7 Jack the Ripper and the Family Physician: Gynecology and Domestic Medicine in “Penelope”
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End Matter
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