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Volume 44, Issue 3, 1 August 2016
EDITORIAL
Editorial
Helen Deeming and others
Early Music, Volume 44, Issue 3, 1 August 2016, Page 369, https://doi.org/10.1093/em/caw077
ARTICLES
The Romance of Alexander
Jeremy Montagu
Early Music, Volume 44, Issue 3, 1 August 2016, Pages 371–381, https://doi.org/10.1093/em/caw057
Biblical commentary in the Old Hispanic liturgy: a Passiontide case study
Emma Hornby and Rebecca Maloy
Early Music, Volume 44, Issue 3, 1 August 2016, Pages 383–394, https://doi.org/10.1093/em/caw075
Roman claviorgans and ‘table organs with a spinetta on top’, 1567–1753
Patrizio Barbieri
Early Music, Volume 44, Issue 3, 1 August 2016, Pages 395–416, https://doi.org/10.1093/em/caw059
Thoughts on Marais’s second thoughts
Ronald Broude and Mary Cyr
Early Music, Volume 44, Issue 3, 1 August 2016, Pages 417–426, https://doi.org/10.1093/em/caw060
Muted violins from Lully to Haydn
Deirdre Loughridge
Early Music, Volume 44, Issue 3, 1 August 2016, Pages 427–447, https://doi.org/10.1093/em/caw061
Printing, politics and ‘a well-regulated church music’: a new perspective on J. S. Bach’s Mühlhausen cantatas
Markus Rathey
Early Music, Volume 44, Issue 3, 1 August 2016, Pages 449–460, https://doi.org/10.1093/em/caw063
Roger Long’s gut-strung keyboard instruments and Thomas Barton’s harpsichord stringing
David Rowland
Early Music, Volume 44, Issue 3, 1 August 2016, Pages 461–471, https://doi.org/10.1093/em/caw062
BOOK REVIEWS
National saints
Sean Dunnahoe
Early Music, Volume 44, Issue 3, 1 August 2016, Pages 472–474, https://doi.org/10.1093/em/caw073
Centres and peripheries of 15th-century music
Tim Shephard
Early Music, Volume 44, Issue 3, 1 August 2016, Pages 475–479, https://doi.org/10.1093/em/caw036
Instrumentalists and musical life at the Weimar court
Barbara M. Reul
Early Music, Volume 44, Issue 3, 1 August 2016, Pages 479–482, https://doi.org/10.1093/em/caw071
The giant Handel edifice
Ruth Smith
Early Music, Volume 44, Issue 3, 1 August 2016, Pages 482–485, https://doi.org/10.1093/em/caw038
Novel music
Thomas McGeary
Early Music, Volume 44, Issue 3, 1 August 2016, Pages 485–489, https://doi.org/10.1093/em/caw070
Beethoven’s symphonies reintroduced
Rohan H. Stewart-MacDonald
Early Music, Volume 44, Issue 3, 1 August 2016, Pages 489–492, https://doi.org/10.1093/em/caw072
RECORDING REVIEWS
Singing the 13th century
Jeremy Llewellyn
Early Music, Volume 44, Issue 3, 1 August 2016, Pages 493–496, https://doi.org/10.1093/em/caw068
French fancies from the Renaissance and early Baroque
Alex Robinson
Early Music, Volume 44, Issue 3, 1 August 2016, Pages 496–498, https://doi.org/10.1093/em/caw066
Racconto di due città
Benjamin Katz
Early Music, Volume 44, Issue 3, 1 August 2016, Pages 498–500, https://doi.org/10.1093/em/caw067
Italian Baroque opera
Vassilis Vavoulis
Early Music, Volume 44, Issue 3, 1 August 2016, Pages 501–503, https://doi.org/10.1093/em/caw064
Songs and arias
Ivan Moody
Early Music, Volume 44, Issue 3, 1 August 2016, Pages 503–504, https://doi.org/10.1093/em/caw052
REPORTS
The wedding of the century, Munich 1568
Jaap van Benthem
Early Music, Volume 44, Issue 3, 1 August 2016, Page 505, https://doi.org/10.1093/em/caw069
Musicians, publishers and pirates of the mid-Baroque
Stephan Schönlau
Early Music, Volume 44, Issue 3, 1 August 2016, Page 506, https://doi.org/10.1093/em/caw055
NEWS AND EVENTS
News and events
Early Music, Volume 44, Issue 3, 1 August 2016, Pages 507–508, https://doi.org/10.1093/em/caw086
ABSTRACTS
Abstracts
Early Music, Volume 44, Issue 3, 1 August 2016, Pages 509–511, https://doi.org/10.1093/em/caw084
ADVERTISERS’ INDEX
Advertisers’ index
Early Music, Volume 44, Issue 3, 1 August 2016, Page 511, https://doi.org/10.1093/em/caw096
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