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Volume 43, Issue 2, May 2015
Editorial
Editorial
Andrew Pinnock
Early Music, Volume 43, Issue 2, May 2015, Page 197, https://doi.org/10.1093/em/cav021
Article
Which Genial Day? More on the court origin of Purcell’s Dido and Aeneas, with a shortlist of dates for its possible performance before King Charles II
Andrew Pinnock
Early Music, Volume 43, Issue 2, May 2015, Pages 199–212, https://doi.org/10.1093/em/cav005
‘A particular Friendship’: Bell Barr, Annabella Howard and Sarah Churchill
Robert Thompson
Early Music, Volume 43, Issue 2, May 2015, Pages 213–223, https://doi.org/10.1093/em/cav004
Purcell and his poets
Bruce Wood
Early Music, Volume 43, Issue 2, May 2015, Pages 225–231, https://doi.org/10.1093/em/cav006
Purcell in the 18th century: music for the ‘Quality, Gentry, and others’
Sandra Tuppen
Early Music, Volume 43, Issue 2, May 2015, Pages 233–245, https://doi.org/10.1093/em/cav012
Listening to hymns and tears of mourning in Augustine’s Confessions, Book 9
Giosuè Ghisalberti
Early Music, Volume 43, Issue 2, May 2015, Pages 247–253, https://doi.org/10.1093/em/cav014
A new source of Quattrocento music discovered in Bolzano
Giulia Gabrielli
Early Music, Volume 43, Issue 2, May 2015, Pages 255–267, https://doi.org/10.1093/em/cav007
Death songs and elegies: singing about death in Elizabethan England
Katherine Butler
Early Music, Volume 43, Issue 2, May 2015, Pages 269–280, https://doi.org/10.1093/em/cav002
A recently rediscovered motet by Holy Roman Emperor Ferdinand III
Andrew H. Weaver
Early Music, Volume 43, Issue 2, May 2015, Pages 281–289, https://doi.org/10.1093/em/cav001
Handel as Orpheus: the Vauxhall statue re-examined
Thomas McGeary
Early Music, Volume 43, Issue 2, May 2015, Pages 291–308, https://doi.org/10.1093/em/cav003
Marie Pélissier (1707–49), the diva of the Dulis affair
Gina Rivera
Early Music, Volume 43, Issue 2, May 2015, Pages 309–317, https://doi.org/10.1093/em/cau132
Book Review
Neumes for novices
Kate Helsen
Early Music, Volume 43, Issue 2, May 2015, Pages 319–320, https://doi.org/10.1093/em/cav028
Clergy and city
Karen Desmond
Early Music, Volume 43, Issue 2, May 2015, Pages 320–322, https://doi.org/10.1093/em/cav009
Byrd in context
Andrew Cichy
Early Music, Volume 43, Issue 2, May 2015, Pages 322–324, https://doi.org/10.1093/em/cav008
Morley’s turn
Jeremy L. Smith
Early Music, Volume 43, Issue 2, May 2015, Pages 324–326, https://doi.org/10.1093/em/cav016
Ancient music and its advocates
Andrew Woolley
Early Music, Volume 43, Issue 2, May 2015, Pages 327–328, https://doi.org/10.1093/em/cav017
Vienna’s Italian connection
Andrew V. Jones
Early Music, Volume 43, Issue 2, May 2015, Pages 329–330, https://doi.org/10.1093/em/cav011
The London stage from Purcell to Pepusch
Berta Joncus
Early Music, Volume 43, Issue 2, May 2015, Pages 330–333, https://doi.org/10.1093/em/cav019
Dancers and singers in 18th-century London
Matthew Gardner
Early Music, Volume 43, Issue 2, May 2015, Pages 333–336, https://doi.org/10.1093/em/cav022
Moscheles explored
Rohan H. Stewart-MacDonald
Early Music, Volume 43, Issue 2, May 2015, Pages 336–339, https://doi.org/10.1093/em/cav020
Music Review
The king’s music
Louise McInnes
Early Music, Volume 43, Issue 2, May 2015, Pages 341–343, https://doi.org/10.1093/em/cav029
Recording review
English instrumental music from Byrd to Purcell
Alan Howard
Early Music, Volume 43, Issue 2, May 2015, Pages 345–347, https://doi.org/10.1093/em/cav024
Italian sonatas for few and many instruments
Michael Talbot
Early Music, Volume 43, Issue 2, May 2015, Pages 347–350, https://doi.org/10.1093/em/cav032
French chamber music
Graham Sadler
Early Music, Volume 43, Issue 2, May 2015, Pages 350–352, https://doi.org/10.1093/em/cav030
Handel on and off the stage
Elizabeth Roche
Early Music, Volume 43, Issue 2, May 2015, Pages 353–355, https://doi.org/10.1093/em/cav026
What’s in a name? A sampling of works from Familie Bach
Kevin Sutton
Early Music, Volume 43, Issue 2, May 2015, Pages 355–357, https://doi.org/10.1093/em/cav027
Janitsch, Berlin and beyond
David Gerrard
Early Music, Volume 43, Issue 2, May 2015, Pages 358–360, https://doi.org/10.1093/em/cav023
Magnificent landscapes: new Beethoven recordings and the musical sublime
Nancy November
Early Music, Volume 43, Issue 2, May 2015, Pages 360–362, https://doi.org/10.1093/em/cav025
Report
Celebrating Tinctoris
Adam Whittaker
Early Music, Volume 43, Issue 2, May 2015, Pages 363–364, https://doi.org/10.1093/em/cav013
C. P. E. Bach at the keyboard
Sheila Guymer
Early Music, Volume 43, Issue 2, May 2015, Pages 364–365, https://doi.org/10.1093/em/cav010
Quantitative perspectives
Andrew Gustar
Early Music, Volume 43, Issue 2, May 2015, Pages 365–366, https://doi.org/10.1093/em/cav033
Catalonia project report
Josep Maria Gregori i Cifré
Early Music, Volume 43, Issue 2, May 2015, Pages 367–368, https://doi.org/10.1093/em/cav018
Correspondence
Correspondence
Beverly Jerold
Early Music, Volume 43, Issue 2, May 2015, Page 369, https://doi.org/10.1093/em/cav031
Obituary
Obituary
Francis Knights
Early Music, Volume 43, Issue 2, May 2015, Pages 370–371, https://doi.org/10.1093/em/cav035
News
News and events
Early Music, Volume 43, Issue 2, May 2015, Pages 372–373, https://doi.org/10.1093/em/cav034
Abstracts
Abstracts
Early Music, Volume 43, Issue 2, May 2015, Pages 375–378, https://doi.org/10.1093/em/cav037
Index
Advertisers’ index
Early Music, Volume 43, Issue 2, May 2015, Page 379, https://doi.org/10.1093/em/cav040
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