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Volume 42, Issue 2, May 2014
Editorial
Editorial
Early Music, Volume 42, Issue 2, May 2014, Page 165, https://doi.org/10.1093/em/cau052
Article
Pintoricchio’s Musica of the Sala delle Arti Liberali, Palazzi Pontifici, Vatican
Early Music, Volume 42, Issue 2, May 2014, Pages 167–174, https://doi.org/10.1093/em/cau042
A rule made to be broken: on Zarlino, Vicentino, Willaert and parallel congruent imperfect consonances
Early Music, Volume 42, Issue 2, May 2014, Pages 175–189, https://doi.org/10.1093/em/cau031
Gombert, Thiebault, Crecquillon, Canis, Payen and the chapel of Charles V
Early Music, Volume 42, Issue 2, May 2014, Pages 191–206, https://doi.org/10.1093/em/cau027
Edited out: note-blackening and mensural notation in 17th-century dance music from Leipzig
Early Music, Volume 42, Issue 2, May 2014, Pages 207–218, https://doi.org/10.1093/em/cau035
‘A Debt contracted in Italy’: Ferdinando Tenducci in a London court and prison
Early Music, Volume 42, Issue 2, May 2014, Pages 219–229, https://doi.org/10.1093/em/cau028
The instrumental body in the age of Mozart: science, aesthetics and performances of the self
Early Music, Volume 42, Issue 2, May 2014, Pages 231–247, https://doi.org/10.1093/em/cau044
Bach’s Art of Fugue: suggestions for the last gap
Early Music, Volume 42, Issue 2, May 2014, Pages 249–257, https://doi.org/10.1093/em/cau039
Notes inégales: a definitive new parameter
Early Music, Volume 42, Issue 2, May 2014, Pages 273–289, https://doi.org/10.1093/em/cau029
Performing Matters
Bach’s use of the single-note ornament in the Goldberg Variations
Early Music, Volume 42, Issue 2, May 2014, Pages 259–272, https://doi.org/10.1093/em/cau030
Book Review
Understanding the medieval refrain
Early Music, Volume 42, Issue 2, May 2014, Pages 291–293, https://doi.org/10.1093/em/cau032
Producing editions of Cavalli
Early Music, Volume 42, Issue 2, May 2014, Pages 293–295, https://doi.org/10.1093/em/cau038
Notation between theory and practice
Early Music, Volume 42, Issue 2, May 2014, Pages 295–297, https://doi.org/10.1093/em/cau036
Opera librettos and British politics
Early Music, Volume 42, Issue 2, May 2014, Pages 297–299, https://doi.org/10.1093/em/cau034
Bach revisited, received and recorded
Early Music, Volume 42, Issue 2, May 2014, Pages 299–301, https://doi.org/10.1093/em/cau037
Early music in the modern era
Early Music, Volume 42, Issue 2, May 2014, Pages 301–303, https://doi.org/10.1093/em/cau033
Music Review
The art of 18th-century arrangements
Early Music, Volume 42, Issue 2, May 2014, Pages 305–306, https://doi.org/10.1093/em/cau040
Recording review
English and Scottish instrumental music
Early Music, Volume 42, Issue 2, May 2014, Pages 307–309, https://doi.org/10.1093/em/cau047
Baroque violin music
Early Music, Volume 42, Issue 2, May 2014, Pages 309–312, https://doi.org/10.1093/em/cau050
Vivaldi concertos and church music
Early Music, Volume 42, Issue 2, May 2014, Pages 312–314, https://doi.org/10.1093/em/cau045
Telemann, old and new
Early Music, Volume 42, Issue 2, May 2014, Pages 314–318, https://doi.org/10.1093/em/cau051
Zelenka, sacred and secular
Early Music, Volume 42, Issue 2, May 2014, Pages 318–321, https://doi.org/10.1093/em/cau046
Clavichords and other claviers
Early Music, Volume 42, Issue 2, May 2014, Pages 321–323, https://doi.org/10.1093/em/cau014
How do you like your Haydn?
Early Music, Volume 42, Issue 2, May 2014, Pages 323–326, https://doi.org/10.1093/em/cau041
News
News and events
Early Music, Volume 42, Issue 2, May 2014, Pages 327–328, https://doi.org/10.1093/em/cau043
Abstracts
Abstracts
Early Music, Volume 42, Issue 2, May 2014, Pages 329–331, https://doi.org/10.1093/em/cau056
Index
Advertisers’ index
Early Music, Volume 42, Issue 2, May 2014, Page 332, https://doi.org/10.1093/em/cau057
