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Volume 36, Issue 2, May 2008
Editorial
Beyond the Golden Age
Elizabeth Kenny
Early Music, Volume 36, Issue 2, May 2008, Pages 179–180, https://doi.org/10.1093/em/can050
Articles
‘How to be an emperor’: acting Alexander the Great in opera seria
Richard G. King
Early Music, Volume 36, Issue 2, May 2008, Pages 181–202, https://doi.org/10.1093/em/cam136
Ockeghem, Brumel, Josquin: new documents in Troyes
Rob C. Wegman
Early Music, Volume 36, Issue 2, May 2008, Pages 203–218, https://doi.org/10.1093/em/can015
A musical fragment from Anglo-Saxon England
John Haines
Early Music, Volume 36, Issue 2, May 2008, Pages 219–230, https://doi.org/10.1093/em/can036
Pleyel's ‘London’ symphonies
Arthur Searle
Early Music, Volume 36, Issue 2, May 2008, Pages 231–244, https://doi.org/10.1093/em/can004
A newly discovered source of vocal chamber music by Elisabeth-Claude Jacquet de la Guerre and René Drouard de Bousset
Adrian Rose
Early Music, Volume 36, Issue 2, May 2008, Pages 245–264, https://doi.org/10.1093/em/can037
A mangled chime: the accidental death of the opera libretto in Civil War England
Andrew Pinnock and Bruce Wood
Early Music, Volume 36, Issue 2, May 2008, Pages 265–284, https://doi.org/10.1093/em/can046
Performing Matters
The uses of lute song: texts, contexts and pretexts for ‘historically informed’ performance
Elizabeth Kenny
Early Music, Volume 36, Issue 2, May 2008, Pages 285–300, https://doi.org/10.1093/em/can045
Book Reviews
Period polemics
Robert Quinney
Early Music, Volume 36, Issue 2, May 2008, Pages 301–304, https://doi.org/10.1093/em/can021
From ‘early’ to ‘modern’ music
John Butt
Early Music, Volume 36, Issue 2, May 2008, Pages 304–306, https://doi.org/10.1093/em/can024
Songs and sources
Suzannah Clark
Early Music, Volume 36, Issue 2, May 2008, Pages 306–308, https://doi.org/10.1093/em/can025
Instruments and images
Elizabeth Kenny
Early Music, Volume 36, Issue 2, May 2008, Pages 308–309, https://doi.org/10.1093/em/can019
Iberian Masses catalogued
Tess Knighton
Early Music, Volume 36, Issue 2, May 2008, Pages 309–310, https://doi.org/10.1093/em/can017
The extravagant business of opera
Wendy Heller
Early Music, Volume 36, Issue 2, May 2008, Pages 310–314, https://doi.org/10.1093/em/can023
Chambonnières online
David Chung
Early Music, Volume 36, Issue 2, May 2008, Pages 314–316, https://doi.org/10.1093/em/can022
Vinci operista
Michael Talbot
Early Music, Volume 36, Issue 2, May 2008, Pages 316–318, https://doi.org/10.1093/em/cam133
Handel: fire and water
Peter Holman
Early Music, Volume 36, Issue 2, May 2008, Pages 318–320, https://doi.org/10.1093/em/can016
The Menuet de la cour: ‘a dance to be reckoned with’
Jennifer Thorp
Early Music, Volume 36, Issue 2, May 2008, Pages 320–321, https://doi.org/10.1093/em/can020
Listening to the symphony
Matthew Riley
Early Music, Volume 36, Issue 2, May 2008, Pages 321–322, https://doi.org/10.1093/em/can018
Recording Reviews
Voices and instruments in medieval song and liturgy
Ivan Moody
Early Music, Volume 36, Issue 2, May 2008, Pages 323–324, https://doi.org/10.1093/em/can009
Lutes of fire
Christopher Goodwin
Early Music, Volume 36, Issue 2, May 2008, Pages 325–327, https://doi.org/10.1093/em/can005
Monteverdi in chamber and chapel
Elizabeth Roche
Early Music, Volume 36, Issue 2, May 2008, Pages 327–329, https://doi.org/10.1093/em/can007
A cornucopia of virtuosity
Lucy Robinson
Early Music, Volume 36, Issue 2, May 2008, Pages 329–331, https://doi.org/10.1093/em/can012
French cantatas and airs
Graham Sadler
Early Music, Volume 36, Issue 2, May 2008, Pages 332–333, https://doi.org/10.1093/em/can008
More from the Austro-German Baroque
David R. M. Irving
Early Music, Volume 36, Issue 2, May 2008, Pages 333–335, https://doi.org/10.1093/em/can006
Bach concertos and suites
John Kitchen
Early Music, Volume 36, Issue 2, May 2008, Pages 336–338, https://doi.org/10.1093/em/can010
The king of instruments
Kimberly Marshall
Early Music, Volume 36, Issue 2, May 2008, Pages 338–341, https://doi.org/10.1093/em/can011
A century of English music
Peter Holman
Early Music, Volume 36, Issue 2, May 2008, Pages 341–343, https://doi.org/10.1093/em/can014
A sonic critique of ‘Classical’ chamber music
Nancy November
Early Music, Volume 36, Issue 2, May 2008, Pages 343–345, https://doi.org/10.1093/em/can013
Reports
Paris revivals: two operas of Lully and Quinault
Lionel Sawkins
Early Music, Volume 36, Issue 2, May 2008, Pages 347–348, https://doi.org/10.1093/em/can038
Correspondence
Mozart and the so-called ‘Jenamy Concerto’
Michael Lorenz
Early Music, Volume 36, Issue 2, May 2008, Page 349, https://doi.org/10.1093/em/can039
More on Chambonnières
Rebecca Cypess
Early Music, Volume 36, Issue 2, May 2008, Page 349, https://doi.org/10.1093/em/can040
Electronic journal for the Viola da Gamba Society
Andrew Ashbee
Early Music, Volume 36, Issue 2, May 2008, Page 349, https://doi.org/10.1093/em/can041
Capricious desire of a queen
Roberto Pagano
Early Music, Volume 36, Issue 2, May 2008, Page 350, https://doi.org/10.1093/em/can042
Rhythmic inequality
Rosalind Halton
Early Music, Volume 36, Issue 2, May 2008, Pages 350–351, https://doi.org/10.1093/em/can043
Spanish opera
Bernadette Nelson
Early Music, Volume 36, Issue 2, May 2008, Page 351, https://doi.org/10.1093/em/can044
Abstracts
Abstracts
Early Music, Volume 36, Issue 2, May 2008, Pages 352–354, https://doi.org/10.1093/em/can048
Advertisers' index
Advertisers' Index
Early Music, Volume 36, Issue 2, May 2008, Pages 355–356, https://doi.org/10.1093/em/can049
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