
Contents
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Handbook Structure and Chapter Summaries Handbook Structure and Chapter Summaries
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Structure Structure
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Chapter Summaries Chapter Summaries
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Section 1: Disciplinary Questions Section 1: Disciplinary Questions
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Section 2: History and Technology Section 2: History and Technology
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Section 3: Perception and Psychology Section 3: Perception and Psychology
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Section 4: Interacting across Media Section 4: Interacting across Media
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Section 5: Identity Section 5: Identity
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Section 6: Pre-Existing Music Section 6: Pre-Existing Music
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Section 7: Musical Performance Section 7: Musical Performance
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Section 8: Acoustic Ecologies Section 8: Acoustic Ecologies
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Section 9: Virtuality/Reality Section 9: Virtuality/Reality
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The Companion Website The Companion Website
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Introduction: A Hub World for Game Audio
Get accessWilliam Gibbons, Dean, Crane School of Music, SUNY Potsdam
Mark Grimshaw-Aagaard, The Obel Professor of Music, Department of Communication and Psychology, Aalborg University
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Published:20 June 2024
Cite
Abstract
Using the metaphor of video game “hub worlds,” in the Introduction the editors outline the overall purpose, structure, and contents of the handbook. Just as hubs provide a convenient central location for players to gather, exchange ideas, or level up, this volume presents a starting point for the journey into video game music and sound. The chapters, organized by topic into nine major sections, reflect a wide range of disciplines and approaches to the study of game audio drawn from musicology, music theory, sound studies, music cognition, and related fields. Following an overview of each section of the book, brief summaries of each chapter are provided.
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