The Oxford Handbook of Walt Whitman
The Oxford Handbook of Walt Whitman
Kenneth M. Price is Hillegass University Professor of American literature at the University of Nebraska-Lincoln and codirector of the Walt Whitman Archive. He is the coeditor of books on Literary Studies in the Digital Age, James Weldon Johnson, George Santayana, and nineteenth-century periodical literature. With Ed Folsom he coauthored Re-Scripting Walt Whitman: An Introduction to His Life and Work (Blackwell, 2005). He is also the author of Whitman and Tradition: The Poet in His Century (Yale, 1990); To Walt Whitman, America (North Carolina, 2004); and Whitman in Washington: Becoming the National Poet in the Federal City (Oxford, 2020).
Stefan Schöberlein is an assistant professor of English at Texas A&M University–Central Texas, a contributing editor for the Walt Whitman Archive, and an associate editor at the Walt Whitman Quarterly Review. His essays on authorship attribution have appeared in Digital Scholarship in the Humanities, the Walt Whitman Quarterly Review, and The New Walt Whitman Studies (Cambridge, 2019). He is the author of Writing the Brain: Material Minds and Literature, 1800-1880 (Oxford, 2023), the editor of Walt Whitman’s New Orleans (Louisiana State, 2022), and a multi-published literary translator.
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Abstract
The Oxford Handbook of Walt Whitman outlines agendas for the future of Walt Whitman studies. New discoveries and massive transcription efforts undertaken during the past few years have fundamentally changed our appreciation of the volume and literary ambition of the poet’s oeuvre. In addition to a new Whitman novel (Jack Engle), a hitherto unknown health guide for urban men, a number of new poems, and various other textual objects by Whitman (letters, notebooks, art criticism, etc.) have become available. This collection of essays not only widens the field of discussion but also brings these new texts to bear on Whitman’s central poetic concerns.
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Front Matter
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Introduction
Whitman and his Handbooks
Kenneth M. Price andStefan Schöberlein
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Part 1 Reading and Writing Whitman
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Part 2 Notebooks, Scrapbooks, and Mutant Books
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Part 3 Whitman and Data, Whitman as Data
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Part 4 Fitness, and Struggle, and the Nation
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Part 5 Whitman, Chronicler of City Life
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Part 6 Whitman’s Natures
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Part 7 Embodied Variants
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21
Backhanded Compliments, or Rehabilitating Rehabilitation in Whitman
Pilar Martínez Benedí andRalph James Savarese
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An Idle Criticism: Whitman as Disability Theorist in “How I Get Around at 60, and Take Notes”
Don James McLaughlin
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23
The “Dark Bequest”: Inheriting Whitman’s Unworldly Specimens
Lindsay Tuggle
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21
Backhanded Compliments, or Rehabilitating Rehabilitation in Whitman
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Part 8 Inscribing Identity
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24
Walt Whitman, Daniel Garrison Brinton, and the Poetics of an “American” Ethnology
Timothy Robbins
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25
Indigenous Glyphs, Granite Inscriptions: From Mazinaw to the Middle East with Whitman’s Leaves
Jeffrey Einboden
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26
“O Baffled, Balked”: Interrogating the Poetics of Absorption in Whitman’s 1860 “Leaves of Grass” Cluster
Jacob Wilkenfeld
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24
Walt Whitman, Daniel Garrison Brinton, and the Poetics of an “American” Ethnology
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Part 9 Whitman Networks, Global and National
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27
“Solidarity of the World”: Walt Whitman as an International Poet
Walter Grünzweig
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28
Whitman in China: Uncovering His Early Reception from 1870 to 1920
Liu Shusen
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29
“That’s Me, Not Whitman”: Tin Ujević and Ivan V. Lalić as Whitman’s Yugoslav Poet-Translators
Bojana Aćamović
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30
Walt Whitman and Muriel Rukeyser Among the Jews
Vivian R. Pollak
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31
Walt Whitman in Jewish American Poetry: Charles Reznikoff and Allen Ginsberg
Dara Barnat
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27
“Solidarity of the World”: Walt Whitman as an International Poet
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End Matter
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