The Oxford Handbook of Shakespeare and Race
The Oxford Handbook of Shakespeare and Race
Patricia Akhimie is Director of the Folger Institute at the Folger Shakespeare Library, Director of the RaceB4Race Mentorship Network, and Associate Professor of English at Rutgers University-Newark. She is editor of the Arden Othello (4th series), author of Shakespeare and the Cultivation of Difference: Race and Conduct in the Early Modern World and, with Bernadette Andrea, co-editor of Travel and Travail: Early Modern Women, English Drama, and the Wider World.
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Abstract
Premodern critical race studies, long intertwined with Shakespeare studies, have broadened our understanding of the definitions and discourse of race and racism to include not only phenotype, but also religious and political identity, regional, national, and linguistic difference, and systems of differentiation based upon culture and custom. Replete with fresh readings of the plays and poems, The Oxford Handbook of Shakespeare and Race brings together some of the most important scholars thinking about the subject today. The volume offers a thorough overview of the most significant theoretical and methodological paradigms such as critical race theory, feminist, and postcolonial studies; a dynamic look at intersections of race with queer, trans, disability, and indigenous studies; and a vibrant array of new approaches from ecocriticism, to animality, and human rights, from book history, to scholarly editing, and repertory studies; and an exploration of Shakespeare and race in our contemporary moment through discussions of political activism, pedagogy, visual arts, film, and theatre. Woven through the collection are the voices of practising theatre professionals who have grappled with the challenges of race and racism both in performance and in the profession itself.
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Front Matter
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1
Introduction
Patricia Akhimie
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Part I Shakespeare and Race: An Overview
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2
Shakespeare and Critical Race Theory
Urvashi Chakravarty
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3
Shakespeare, Race, and Feminist Critique
Jean E. Howard
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4
Naturalizing Race and Racialized Geographies
Debapriya Sarkar
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5
‘Thrice fairer than myself’: Reading Desire and the Ends of Whiteness in Venus and Adonis
Dennis Austin Britton
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6
The Imperatives of Race Consciousness in 21st-Century Shakespearean Performance
Farah Karim-Cooper
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7
Shakespeare and Race: The Oral Histories
Carla Della Gatta
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8
Shakespeare, Race, and Adaptation
Joyce Green MacDonald
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2
Shakespeare and Critical Race Theory
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Part II Archives and Intersections
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9
The Oral Histories: Identity
Carla Della Gatta
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10
Monstrous Indigeneity and the Discourse of Race in Shakespeare’s England
Scott Manning Stevens
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11
Shakespeare, Race, and Queer Studies
Mario DiGangi
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12
Shakespeare, Race, and Disability: Othello and the Wheeling Strangers of Here and Everywhere
Amrita Dhar
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Shakespeare, Race, and Trans Studies
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13
Trans Studies at the Crossroad: From Racialized Invisibility to Gendered Legibility
Alexa Alice Joubin
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14
Racialized Genders on the Shakespearean Stage
Abdulhamit Arvas
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15
Shakespeare and Mixed Race
Kyle Grady
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16
‘Give me conquer’d Egypt’: Re-Orienting Egypt in Shakespeare’s Antony and Cleopatra
Ambereen Dadabhoy
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17
Coordinating Racisms in The Merchant of Venice
M. Lindsay Kaplan
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18
Shakespeare, Race, and Spain
Emily Weissbourd
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19
Melancholy Nature: Religion and Bad Faith in Shakespeare
Kimberly Anne Coles
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20
Shakespeare, Race, and Movement
Elisa Oh
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21
The Oral Histories: On Corporeality
Carla Della Gatta
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22
Dispossessed and Unaccommodated: Race and Animality in King Lear
Holly Dugan
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23
‘Let fair humanity abhor the deed’: Shakespeare, Race, and Human Rights
Kirsten N. Mendoza
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24
Shakespeare, Race, and Science: The Study of Nature and/as the Making of Race
Jennifer Park
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25
Race in Repertory
David McInnis
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26
‘Rac’d all over their Bodies’: Charting the Study of Shakespeare, Race, and Book History
Miles P. Grier
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13
Trans Studies at the Crossroad: From Racialized Invisibility to Gendered Legibility
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9
The Oral Histories: Identity
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Part III Shakespeare and Race Now
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27
An Interview with Artist Fred Wilson, 30 July 2021
Peter Erickson andLisa Graziose Corrin
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28
Shakespeare and Race on Screen: Racial Journeys in Indian Cinema
Amrita Sen
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29
Casting Shakespeare Today
Carla Della Gatta
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30
The Oral Histories: Creating Spaces
Carla Della Gatta
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31
Shakespeare, Race, and Appropriation
Vanessa I. Corredera
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32
The Oral Histories: Staging Shakespeare and Race
Carla Della Gatta
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33
Editing Shakespeare and Race
Brandi K. Adams
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34
Translation at the Intersections of Shakespeare and Race
Alfredo Michel Modenessi
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35
The Oral Histories: Approaches to Acting and Staging
Carla Della Gatta
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36
Teaching Shakespeare and Race in Secondary Classrooms: Professional and Political Dimensions of Evolving Pedagogies for Diverse Classrooms
Laura B. Turchi
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37
‘In her prophetic fury’: Teaching Critical Modes of Intervention in Shakespeare Studies
Nedda Mehdizadeh
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38
Resisting Analogies: Refusing Other Othellos in Shakespearean Cinema
Rebecca Kumar
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39
Teaching Shakespeare and Race: Techniques and Technologies
Jonathan Burton
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40
Teaching Shakespeare and Race in Communities of Colour: Reflections from the US-Mexico Border
Ruben Espinosa
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41
The Oral Histories: My Relationship with Shakespeare
Carla Della Gatta
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42
‘Reading’ Shakespeare as Political Activism
Kim F. Hall
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27
An Interview with Artist Fred Wilson, 30 July 2021
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End Matter
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