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Latino Stereotypes and the American Ballroom Dance Industry Latino Stereotypes and the American Ballroom Dance Industry
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Palladium Mambo Palladium Mambo
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Congress Style Salsa Congress Style Salsa
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Steps toward Integration Steps toward Integration
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Notes Notes
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Interviews Cited Interviews Cited
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Bibliography Bibliography
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30 San Miguel the Arcángel, Capitan of Many Troops: An Ethno-Iconographic Study of Danza de Migueles
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21 “Hot” Latin Dance: Ethnic Identity and Stereotype
Get accessJuliet McMains (PhD) is author of Spinning Mambo into Salsa: Caribbean Dance in Global Commerce (OUP 2015) and Glamour Addiction: Inside the American Ballroom Dance Industry (2006). She is a Professor in the Dance Program at the University of Washington.
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Published:28 January 2013
Cite
Abstract
Through a brief history of Latin dance within the American ballroom dance industry, this paper reveals how participation in Latin dance by non-Latinos in the United States has, throughout much of the twentieth century, relied on and reinforced harmful stereotypes of ethnic Latinos. The author argues, however, that when Latin dance is practiced in integrated communities in which Latinos and non-Latinos share the dance floor, such stereotypes can be weakened. Two case studies of integrated Latin dancing are offered as examples: mambo dancing at New York’s Palladium Ballroom in the 1950s and salsa dancing practiced at international salsa congresses since 1997. In both cases, the evidence suggests that Latinos are able to strengthen their own ethnic identity through participation in Latin dance while simultaneously challenging non-Latino dancers to move toward a more nuanced understanding of Latino people and cultures.
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