The Oxford Handbook of Electronic Dance Music
The Oxford Handbook of Electronic Dance Music
Luis Manuel Garcia-Mispireta, Lecturer in Ethnomusicology and Popular Music Studies, University of Birmingham
Robin James is Associate Professor of Philosophy at UNC Charlotte and past co-editor of The Journal of Popular Music Studies. She is author of four books: The Future of Rock and Roll: 97X WOXY and the Fight for True Independence (UNC Press, forthcoming) The Sonic Episteme: acoustic resonance, neoliberalism, & biopolitics (Duke University Press, 2019), Resilience & Melancholy: pop music, feminism, and neoliberalism (Zero, 2015), and The Conjectural Body: gender, race and the philosophy of music (Lexington Books, 2010). Her work on feminism, race, contemporary continental philosophy, pop music, and sound studies has appeared in venues such as The Guardian, Jezebel, LARB, BELT Magazine, The New Inquiry, SoundingOut!, Hypatia, differences, and the Journal of Popular Music Studies.
Cite
Abstract
This handbook is currently in development, with individual articles publishing online in advance of print publication. At this time, we cannot add information about unpublished articles in this handbook, however the table of contents will continue to grow as additional articles pass through the review process and are added to the site. Please note that the online publication date for this handbook is the date that the first article in the title was published online. For more information, please read the site FAQs.
-
Timbre, Rhythm, and Texture within Music Theory’s White Racial Frame
Megan L. Lavengood
-
The Biopolitics of Synthesizers
Mike D’Errico
-
Finding a Home in House: Tracing Vibrations of Black Queer Femmeness from Chicago to Robin S. to FKA twigs
Christine Capetola
-
Why Is(n’t) Ambient so White?
Victor Szabo
-
Glitching the Gendered Voice
Sasha Geffen
-
Creative Utility, Technology, and Gender: Individualism and the Business of DJing
Tami Gadir
-
Mic-shouting in China and Hong Kong, 1996–2020: Toward Histories of non-Western Local Electronic Dance Music
Matthew M. T. Chew
-
DJing as “Phonographic Work(ing)”: A Systematic Approach to Analyzing EDM DJ Sets
Lorenz Gilli
-
Re-Remembering Chicago House Music’s Queer of Color History Through the Legacy of Frankie Knuckles
Micah Salkind
-
Beats, Tactility, and the Politics of Deaf Representation in EDM
Jessica A. Holmes
-
Transmissions: Networking and Community among Trans/Non-Binary Underground Electronic Musicians
Jess Dilday
-
“Cat I Rave Wif Yu?”: Electronic Dance Music and the Audiovisual Aesthetics and Cultural Production of Pet Memes
Kate Galloway
-
PLURfect Worlds? Inequalities of Race, Class, and Gender in EDM Festival Scenes
Kaitlyne Motl
-
The Battle for London Nightlife
Manu Ekanayake
Sign in
Personal account
- Sign in with email/username & password
- Get email alerts
- Save searches
- Purchase content
- Activate your purchase/trial code
- Add your ORCID iD
Purchase
Our books are available by subscription or purchase to libraries and institutions.
Purchasing informationMonth: | Total Views: |
---|---|
October 2022 | 7 |
October 2022 | 18 |
October 2022 | 2 |
October 2022 | 3 |
October 2022 | 22 |
November 2022 | 9 |
November 2022 | 6 |
November 2022 | 10 |
November 2022 | 8 |
November 2022 | 31 |
December 2022 | 4 |
December 2022 | 7 |
December 2022 | 5 |
December 2022 | 7 |
December 2022 | 6 |
January 2023 | 7 |
January 2023 | 11 |
January 2023 | 12 |
January 2023 | 8 |
January 2023 | 9 |
February 2023 | 7 |
February 2023 | 2 |
February 2023 | 6 |
March 2023 | 9 |
March 2023 | 14 |
March 2023 | 3 |
March 2023 | 10 |
March 2023 | 2 |
April 2023 | 3 |
April 2023 | 3 |
April 2023 | 1 |
April 2023 | 14 |
April 2023 | 11 |
May 2023 | 7 |
May 2023 | 5 |
May 2023 | 3 |
May 2023 | 1 |
May 2023 | 2 |
June 2023 | 1 |
June 2023 | 6 |
June 2023 | 1 |
June 2023 | 7 |
July 2023 | 2 |
July 2023 | 5 |
July 2023 | 2 |
July 2023 | 4 |
August 2023 | 3 |
August 2023 | 17 |
August 2023 | 9 |
August 2023 | 5 |
August 2023 | 4 |
September 2023 | 11 |
September 2023 | 14 |
September 2023 | 1 |
September 2023 | 1 |
September 2023 | 36 |
October 2023 | 3 |
October 2023 | 16 |
October 2023 | 2 |
October 2023 | 1 |
October 2023 | 7 |
November 2023 | 6 |
November 2023 | 22 |
November 2023 | 7 |
November 2023 | 2 |
November 2023 | 6 |
December 2023 | 3 |
December 2023 | 3 |
December 2023 | 3 |
December 2023 | 7 |
January 2024 | 3 |
January 2024 | 10 |
January 2024 | 5 |
January 2024 | 2 |
January 2024 | 4 |
February 2024 | 8 |
February 2024 | 10 |
February 2024 | 6 |
February 2024 | 4 |
February 2024 | 5 |
March 2024 | 4 |
March 2024 | 10 |
March 2024 | 12 |
March 2024 | 8 |
March 2024 | 10 |
April 2024 | 11 |
April 2024 | 18 |
April 2024 | 5 |
April 2024 | 3 |
April 2024 | 3 |
May 2024 | 3 |
May 2024 | 10 |
May 2024 | 6 |
May 2024 | 18 |
May 2024 | 12 |
June 2024 | 2 |
June 2024 | 11 |
June 2024 | 4 |
June 2024 | 7 |
June 2024 | 9 |
June 2024 | 3 |
June 2024 | 8 |
July 2024 | 4 |
July 2024 | 7 |
July 2024 | 6 |
July 2024 | 4 |
July 2024 | 2 |
July 2024 | 5 |
July 2024 | 6 |
August 2024 | 3 |
August 2024 | 5 |
August 2024 | 3 |
August 2024 | 4 |
August 2024 | 7 |
August 2024 | 5 |
September 2024 | 3 |
September 2024 | 11 |
September 2024 | 9 |
September 2024 | 6 |
September 2024 | 2 |
September 2024 | 5 |
September 2024 | 8 |
October 2024 | 3 |
October 2024 | 4 |
October 2024 | 6 |
October 2024 | 15 |
October 2024 | 4 |
October 2024 | 10 |
October 2024 | 4 |
November 2024 | 7 |
November 2024 | 16 |
November 2024 | 1 |
November 2024 | 2 |
November 2024 | 4 |
November 2024 | 8 |
November 2024 | 6 |
December 2024 | 6 |
December 2024 | 2 |
December 2024 | 2 |
December 2024 | 1 |
December 2024 | 2 |
December 2024 | 3 |
December 2024 | 3 |
January 2025 | 5 |
January 2025 | 21 |
January 2025 | 8 |
January 2025 | 2 |
January 2025 | 2 |
January 2025 | 6 |
January 2025 | 5 |
January 2025 | 4 |
February 2025 | 2 |
February 2025 | 3 |
February 2025 | 3 |
February 2025 | 1 |
February 2025 | 10 |
February 2025 | 4 |
February 2025 | 4 |
February 2025 | 4 |
February 2025 | 1 |
February 2025 | 14 |
March 2025 | 6 |
March 2025 | 13 |
March 2025 | 13 |
March 2025 | 7 |
March 2025 | 7 |
March 2025 | 6 |
March 2025 | 1 |
March 2025 | 17 |
March 2025 | 7 |
March 2025 | 6 |
March 2025 | 8 |
March 2025 | 8 |
March 2025 | 5 |
April 2025 | 11 |
April 2025 | 9 |
April 2025 | 12 |
April 2025 | 4 |
April 2025 | 6 |
April 2025 | 4 |
April 2025 | 6 |
April 2025 | 4 |
April 2025 | 8 |
April 2025 | 4 |
April 2025 | 17 |
April 2025 | 7 |
April 2025 | 16 |
April 2025 | 10 |
May 2025 | 1 |
May 2025 | 3 |
May 2025 | 2 |
May 2025 | 2 |
May 2025 | 3 |
May 2025 | 15 |
May 2025 | 4 |
May 2025 | 2 |
May 2025 | 1 |
Get help with access
Institutional access
Access to content on Oxford Academic is often provided through institutional subscriptions and purchases. If you are a member of an institution with an active account, you may be able to access content in one of the following ways:
IP based access
Typically, access is provided across an institutional network to a range of IP addresses. This authentication occurs automatically, and it is not possible to sign out of an IP authenticated account.
Sign in through your institution
Choose this option to get remote access when outside your institution. Shibboleth/Open Athens technology is used to provide single sign-on between your institution’s website and Oxford Academic.
If your institution is not listed or you cannot sign in to your institution’s website, please contact your librarian or administrator.
Sign in with a library card
Enter your library card number to sign in. If you cannot sign in, please contact your librarian.
Society Members
Society member access to a journal is achieved in one of the following ways:
Sign in through society site
Many societies offer single sign-on between the society website and Oxford Academic. If you see ‘Sign in through society site’ in the sign in pane within a journal:
If you do not have a society account or have forgotten your username or password, please contact your society.
Sign in using a personal account
Some societies use Oxford Academic personal accounts to provide access to their members. See below.
Personal account
A personal account can be used to get email alerts, save searches, purchase content, and activate subscriptions.
Some societies use Oxford Academic personal accounts to provide access to their members.
Viewing your signed in accounts
Click the account icon in the top right to:
Signed in but can't access content
Oxford Academic is home to a wide variety of products. The institutional subscription may not cover the content that you are trying to access. If you believe you should have access to that content, please contact your librarian.
Institutional account management
For librarians and administrators, your personal account also provides access to institutional account management. Here you will find options to view and activate subscriptions, manage institutional settings and access options, access usage statistics, and more.