Skip to Main Content

The Oxford Handbook of Music Revival

Online ISBN:
9780199984619
Print ISBN:
9780199765034
Publisher:
Oxford University Press
Book

The Oxford Handbook of Music Revival

Caroline Bithell (ed.),
Caroline Bithell
(ed.)
Ethnomusicology, University of Manchester
Find on

Caroline Bithell is Senior Lecturer in Ethnomusicology at the University of Manchester, UK. She has published widely on Corsican music, which was the main focus of her research from 1993. Her monograph Transported by Song: Corsican Voices from Oral Tradition to World Stage appeared with Scarecrow Press in 2007. Her edited collection The Past in Music appeared as a special issue of the journal Ethnomusicology Forum (2007). Her new monograph on the natural voice and world song is forthcoming, together with other new work on Georgian polyphony. She is also co-editor of The Oxford Handbook of Music Revival.

Juniper Hill (ed.)
Juniper Hill
(ed.)
Ethnomusicology, Julius Maximilian University of Würzburg
Find on

Juniper Hill is an ethnomusicologist with interests in music education and performance practice studies. A recipient of an Alexander von Humboldt, a Marie Curie, and two Fulbright Fellowships, she is professor and chair in ethnomusicology at the Julius Maximilian University of Würzburg. Her specializations include improvisation, creativity, pedagogy, revival, and intercultural exchange, on which topics she has conducted fieldwork in Finland, South Africa, the United States, and Ecuador. Her books include The Oxford Handbook of Music Revival (2014) and Becoming Creative: Insights from Musicians in a Diverse World (2018).

Published online:
16 December 2013
Published in print:
29 July 2014
Online ISBN:
9780199984619
Print ISBN:
9780199765034
Publisher:
Oxford University Press

Abstract

Across many societies and eras people have invoked musical practices of the past in order to reinvigorate or transform contemporary culture. This book, which brings together new research into traditional, folk, indigenous, early music, and dance scenes by an international cohort of thirty scholars, examines revival as theoretical concept, cultural process, and medium of change. Through a combination of conceptual essays and ethnographic case studies, it offers a more geographically and temporally comprehensive examination of revival initiatives than is currently available in any one volume. Extending its purview to cases of renaissance and recovery in diverse parts of the world that have not traditionally been viewed through the revival lens, it reveals the potency of acts of resurgence, restoration, and renewal in reshaping musical landscapes and transforming social experience. The authors’ interrogation of fundamental shifts that have taken place in the late twentieth and early twenty-first centuries—from tradition to heritage, from folk to world music, from bounded to imagined communities, from regional to transnational affiliations—builds on approaches from ethnomusicology, ethnochoreology, historical musicology, folklore studies, anthropology, sociology, and cultural studies. Together, they contribute important new theoretical and methodological perspectives as they bring their findings into dialogue with critical debates across these disciplines. Enriched by their nuanced treatment of issues such as historical reinterpretation, transmission, authenticity, cultural activism, recontextualization, institutionalization, globalization and post-revival legacies, the book offers the reader a deeper understanding of the role and significance of musics we imagine to be historical in today’s postindustrial, postcolonial, and cosmopolitan societies.

Contents
Close
This Feature Is Available To Subscribers Only

Sign In or Create an Account

Close

This PDF is available to Subscribers Only

View Article Abstract & Purchase Options

For full access to this pdf, sign in to an existing account, or purchase an annual subscription.

Close