
Contents
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Introduction Introduction
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The Physical Voice The Physical Voice
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Pitch Range Pitch Range
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Loudness Loudness
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Rough, Breathy, and Trembling Voices Rough, Breathy, and Trembling Voices
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Articulation Articulation
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The Social Voice The Social Voice
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The Technologically Enhanced Voice The Technologically Enhanced Voice
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Enhancing Pitch and Pitch Range Enhancing Pitch and Pitch Range
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Enhancing Loudness Enhancing Loudness
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Noise: Enhancing Tension, Roughness, and Breathiness Noise: Enhancing Tension, Roughness, and Breathiness
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Enhancing Vibrato Enhancing Vibrato
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Enhancing Articulation and Acoustics Enhancing Articulation and Acoustics
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Recreating Technological Experience Recreating Technological Experience
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Extraexperiential Sound Extraexperiential Sound
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Conclusion Conclusion
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Notes Notes
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References References
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24 Speech, Sound, Technology
Get accessLecturer in Sound, Murdoch University
Professor of Language and Communication, University of Southern Denmark
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Published:12 August 2019
Cite
Abstract
Johannes Mulder and Theo van Leeuwen investigate how the microphone, the amplifier, and the loudspeaker have changed the semiotic potential of the sound of the voice. Based on a social semiotic understanding, the authors discuss the voice from three perspectives: physical, focusing on how bodily experience from speaking and singing informs the understanding of the sound of the voice (covering implications such as pitch, loudness, and alterations of various kinds); social, based on the way human social and cultural experiences, such as accents and different vocal styles, inform the understanding of sound; and, finally, the technologically enhanced voice, showing that, even though the appreciation of this voice rests on prior understanding of biological and social voices, this voice introduces extraexperiential dimensions that slowly assimilate into the culture as a form of disembodied, nonhuman voice.
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