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The Oxford Handbook of Politics and Performance

Online ISBN:
9780190863487
Print ISBN:
9780190863456
Publisher:
Oxford University Press
Book

The Oxford Handbook of Politics and Performance

Shirin Rai (ed.),
Shirin Rai
(ed.)
Politics and International Studies, University of Warwick
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Shirin Rai is Professor in the department of Politics and International Studies and the Director of the Warwick Interdisciplinary Research Centre for International Development. Her current work has three strands: 1) feminist international political economy: 2) Gender and political institutions and 3) politics and performance. She has written extensively on these issues and was Director of the Leverhulme Trust programme on Gendered Ceremony and Ritual in Parliament (2007–2011). Her latest book is Performing Representation: Women Members in the Indian Parliament (with Carole Spary; OUP), 2019. She also edited The Grammar of Politics and Performance (eds. with Janelle Reinelt, Routledge, 2015) and Democracy in Practice: Ceremony and Ritual in Parliament (ed. Palgrave, 2014).

Milija Gluhovic (ed.),
Milija Gluhovic
(ed.)
Theater and Performance, University of Warwick
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Milija Gluhovic is a reader in theater and performance at the University of Warwick. His research interests include contemporary theater and performance, memory studies, migrations and human rights, religion and secularism, and international performance research and pedagogy. His publications include Performing European Memories (2013) and the coedited volumes Performing the “New” Europe (2013), Performing the Secular (2017), and International Performance Research Pedagogies (2018). His latest book is A Theory for Theatre Studies: Memory (2020). Currently he serves as the director of graduate studies for TPS at Warwick. He is a member of the IFTR Executive Committee and the EASTAP Journal editorial board.

Silvija Jestrovic (ed.),
Silvija Jestrovic
(ed.)
Theater and Performance, University of Warwick
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Silvija Jestrovic is a professor of theater and performance studies at the University of Warwick. She is the author of Theatre of Estrangement: Theory, Practice, Ideology (2006) and Performance Space Utopia: Cities of War, Cities of Exile (2012); her latest book is Performing Authorial Presence and Absence: The Author Dies Hard (2020). She has been leading the interdisciplinary project “Cultures of the Left: Manifestations and Performances” (funded by the British Academy) and has coedited with Ameet Parameswaran the special journal issue of Studies in Theatre and Performance, “Performing Worksites of the Left” (2019). She is associate editor of the journal Theatre Research International.

Michael Saward (ed.)
Michael Saward
(ed.)
Politics and International Studies, The Open University
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Michael Saward is a professor of politics and international studies at the University of Warwick. Author of numerous articles and chapters on democratic theory and practice, representation and citizenship, his books include The Representative Claim (2010) and Democratic Design (2021). His work on performance and politics includes Making Representations (2020).

Published online:
10 March 2021
Published in print:
8 April 2021
Online ISBN:
9780190863487
Print ISBN:
9780190863456
Publisher:
Oxford University Press

Abstract

The Oxford Handbook of Politics and Performance is a unique collection of articles introducing cutting-edge research and scholarship on politics and performance, which contributes to exciting interdisciplinary work and to shaping a subfield. Organized along five themes—performativity and theatricality; identities; sites and scripts; body, voice, and gesture; and affect—the volume brings together leading scholars in the fields of politics and performance who put forward critically informed interdisciplinary work on everyday social performances, from various embodiments of resistance to a less conscious and willed dimension of reproducing social and political categories, as well as performances of political institutions and processes, in order to understand the contemporary world. The aim of the Handbook is to demonstrate that this disciplinary interweaving ultimately produces a richer, more complex view of our contemporary world than either field is able to do on its own. At the heart of the project is the ambition to introduce both performance and politics scholars to the tools of research and analysis needed to develop a sophisticated understanding of political actions as a function of performance and a firmer basis for recognizing the political potential inherent in all acts of performance.

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