The Oxford Handbook of Dance and the Popular Screen
The Oxford Handbook of Dance and the Popular Screen
Melissa Blanco Borelli is Lecturer in Dance Studies at the University of Surrey.
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Abstract
This anthology offers contemporary perspectives on dance in the context of the popular screen. It analyzes the role played by the dancing body in popular culture and its multi-layered meanings in film, television, music videos, video games, commercials, and Internet sites such as YouTube. It explores how dance and choreography function within the filmic apparatus, and how the narrative, dancing bodies, and/or dance style set in motion multiple choreographies of identity such as race, gender, sexuality, class, and nation. It also considers the types of bodies that are associated with specific dances and their relation to power, access, and agency, as well as the role(s) of a specific film in the genealogy of Hollywood dance films. The book is divided into five sections that examine dance in films such as Moulin Rouge!, Dance Girl Dance, Dirty Dancing, and Save the Last Dance; the different aspects of commercial dance films in the context of identity politics, technology, commercialism, and the politics of moving bodies; how dance and its practice are constructed in films as a form of self-discovery and individual expression; the impact of music videos on popular dance and its dissemination; and how dance video games such as Dance Central influence concepts of choreography, embodiment, and dance pedagogy.
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Front Matter
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Introduction: Dance on Screen
Melissa Blanco Borelli
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Part I Screened Histories
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1
An Australian in Paris: Techno-Choreographic Bohemianism in Moulin Rouge!
Clare Parfitt-Brown
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2
A Different Kind of Ballet: Rereading Dorothy Arzner’s Dance, Girl, Dance
Mary Simonson
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3
Communities of Practice: Active and Affective Viewing of Early Social Dance on the Popular Screen
Alexandra Harlig
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4
Disciplining Black Swan, Animalizing Ambition
Ariel Osterweis
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5
Gene Kelly: The Original, Updated
Mary Fogarty
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6
Appreciation, Appropriation, Assimilation: Stormy Weather and the Hollywood History of Black Dance
Susie Trenka
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7
Hip-Hop in Hollywood: Encounter, Community, Resistance
Thomas F. DeFrantz
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1
An Australian in Paris: Techno-Choreographic Bohemianism in Moulin Rouge!
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Part II The Commercial Big Screen
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8
Dirty Dancing: Dance, Class, and Race in the Pursuit of Womanhood
Colleen Dunagan andRoxane L. Fenton
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9
Displace and be Queen: Gender and Interculturalism in Dirty Dancing: Havana Nights (2004)
Cindy García
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10
“It’s Sort of ‘Members Only’”: Transgression and Body Politics in Save the Last Dance
Inna Arzumanova
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11
“The White Girl in the Middle”: The Performativity of Race, Class, and Gender in Step Up 2: the Streets
Raquel Monroe
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12
Affect-ive moves: Space, Violence, and the Body in Rize’s Krump Dancing
Stephanie L. Batiste
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13
A Taste of Honey: Choreographing Mulatta in the Hollywood Dance Film
Melissa Blanco Borelli
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14
“He’s Doing His Superman Thing Again”: Moving Bodies in the Matrix
Derek A. Burrill
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8
Dirty Dancing: Dance, Class, and Race in the Pursuit of Womanhood
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Part III Music Video and Televisual Bodies
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15
Girl Power, Real Politics: Dis/Respectability, Post-Raciality, and the Politics of Inclusion
Takiyah Nur Amin
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16
Denaturalizing Coco’s “Sexy” Hips: Contradictions and Reversals of the Dancing Body of a Chinese American superstar in Mandarin Pop
Chih-Chieh Liu
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17
Single Ladies, Plural: Racism, Scandal, and “Authenticity” Within the Multiplication and Circulation of Online Dance Discourses
Philippa Thomas
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18
The Dance Factor: Hip-Hop, Spectacle, and Reality Television
Laura Robinson
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19
Defining Dance, Creating Commodity: The Rhetoric of So you Think You Can Dance
Alexis A. Weisbrod
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15
Girl Power, Real Politics: Dis/Respectability, Post-Raciality, and the Politics of Inclusion
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Part IV Screening Nationhood
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20
Hatchets and Hairbrushes: Dance, Gender, and Improvisational Ingenuity in Cold War Western Musicals
Kathaleen Boche
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21
Some Dance Scenes From Cuban Cinema, 1959–2012
Víctor Fowler
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22
“Shine Your Light on the World”: The Utopian Bodies of Dave Chappelle’s Block Party
Rosemary Candelario
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23
Of Snake Dances, Overseas Brides, and Miss World Pageants: Frolicking Through Gurinder Chadha’s Bride and Prejudice
Amita Nijhawan
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20
Hatchets and Hairbrushes: Dance, Gender, and Improvisational Ingenuity in Cold War Western Musicals
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Part V Cyber Screens
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24
Monstrous Belonging: Performing “Thriller” After 9/11
Harmony Bench
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25
Dancing “Between the Break Beats”: Contemporary Indigenous Thought and Cultural Expression through Hip-Hop
Karyn Recollet
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26
Dancing with Myself: Dance Central, Choreography, and Embodiment
Derek A. Burrill andMelissa Blanco Borelli
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24
Monstrous Belonging: Performing “Thriller” After 9/11
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Part VI Conclusion
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End Matter
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