
Contents
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1. The Appeal of Computer Music 1. The Appeal of Computer Music
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A. For Musicians A. For Musicians
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B. For Listeners and Users B. For Listeners and Users
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2. Some Editorial Principles and Practices in This Book 2. Some Editorial Principles and Practices in This Book
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3. Outlook 3. Outlook
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1 Introduction: The Many Futures of Computer Music
Get accessRoger T. Dean, Research Professor of Sonic Communication at the MARCS Institute for Brain, Behaviour and Development, Western Sydney University
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Published:18 September 2012
Cite
Abstract
Computer music offers possibilities for music-making that can hardly be achieved through other means. These possibilities commune between real-time creation in improvisation or other forms of interactive performance, production of scores for others to perform, and acousmatic composition. This article gives some perspectives on the scope and futures of computer music. Computer music has passed its fiftieth anniversary and is part of a slightly longer tradition of electroacoustic music. This article provides a broad introduction to the whole electroacoustic field and its history, but its explicit emphasis is on computer music in the period since the 1980s during which the Yamaha DX7 synthesizer and the availability of desktop (and later laptop) computers at prices individuals could afford meant that the practice of computer music was no longer restricted to those who could access a mainframe computer.
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