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The Oxford Handbook of Thomas Middleton

Online ISBN:
9780191751950
Print ISBN:
9780199559886
Publisher:
Oxford University Press
Book

The Oxford Handbook of Thomas Middleton

Gary Taylor (ed.),
Gary Taylor
(ed.)
English, Florida State University
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Gary Taylor is George Matthew Edgar Professor of English at Florida State University, founder of the History of Text Technologies program there, general editor (with Stanley Wells) of the Oxford edition of Shakespeare's Complete Works, and general editor (with John Lavagnino) of the Oxford edition of Middleton's Collected Works.

Trish Thomas Henley (ed.)
Trish Thomas Henley
(ed.)
English and comparative literature, University of Cincinnati
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Trish Thomas Henley is an Assistant Professor of English and Comparative Literature at the University of Cincinnati. She has published in Exemplaria, Journal for Early Modern Cultural Studies, and Theatre Journal, and is currently finishing a book manuscript, Velvet Women Within: The Boy Actor and the Prostitute on the Early English Stage.

Published online:
21 November 2012
Published in print:
5 April 2012
Online ISBN:
9780191751950
Print ISBN:
9780199559886
Publisher:
Oxford University Press

Abstract

The articles in this handbook reinterpret the English Renaissance through the lens of one of its most original and least understood geniuses. Shakespeare's younger contemporary and collaborator, Thomas Middleton wrote modern comedies, tragedies, tragicomedies, history plays, masques, pageants, pamphlets, and poetry. The book provides an in-depth reaction to OUP's Collected Works of Thomas Middleton. It brings together an international, cross-generational team of experts to discuss all these genres through an equally diverse range of critical approaches, from feminism to stylistics, ecocriticism to performance studies, Aristotle to Zizek. Reinterpretations of canonical plays such as The Changeling, Women Beware Women, The Roaring Girl, and A Chaste Maid in Cheapside mingle with explorations of neglected or recently identified works. Middleton's dramatic use of dance, music, and clothing; Middletonian adaptation; his relationships to the classical world and to continental Europe; and his explorations of sexuality and religion, all receive attention. The book also provides new work on modern and postmodern reactions to Middleton, including recent Middleton revivals and films, and living artists' responses to his work – responses that range from the actresses who play Middleton's women to writers in various genres who have been inspired by his artistry.

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