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12 Film
Get accessMark Bould is Reader in Film and Literature at the University of the West of England, and co-editor of the journal Science Fiction Film and Television. His books include Science Fiction: The Routledge Film Guidebook (2012), The Routledge Concise History of Science Fiction (2011), The Routledge Companion to Science Fiction (2009), Fifty Key Figures in Science Fiction (Routledge, 2009), and Red Planets: Marxism and Science Fiction (Pluto/Wesleyan, 2009).
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Published:02 October 2014
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Abstract
This chapter assesses the historical tendency within SF fandom and SF critical studies to treat SF film as necessarily inferior to prose SF. After indicating the cultural politics behind such judgments, and in criticism of SF film more broadly, it turns to the example of Fahrenheit 451 (1966), François Truffaut’s adaptation of Ray Bradbury’s 1953 novel. It untangles the contradictory criticisms of the film offered by champions of the novel, before outlining the ways in which the film not only adapts but also critiques the original text. Bould concludes the discussion with an examination of the role of special effects and kinesis in SF cinema, drawing on the Resident Evilfranchise to demonstrate the critical—in both senses—role played by spectacle and affect.
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