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46 Transatlantic Engagements
Get accessFiona Robertson is Professor of Eighteenth- and Nineteenth-Century Literature at Durham University and a Fellow of University College, Durham. She has long-standing research interests in late eighteenth-century and nineteenth-century American writing as well as in British Romanticism, and her chapter in this volume draws on work as a visiting fellow of the Huntington Library, the Newberry Library, and the American Antiquarian Society. Her new study The United States in British Romanticism will be published by Oxford University Press.
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Published:09 October 2018
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Abstract
Literary works in the Romantic period were fashioned and interpreted in transatlantic contexts. On both sides of the Atlantic during the decades following the ratification of the United States constitution in 1787, a new and pervasive cultural relativism accompanied changes in national, political, and social identity. This chapter considers a cultural relationship which was simultaneously close and fraught. It examines the rift in literary history caused by the independence of the United States; the politics of emigration and the significance of this for literary expression; the literature of the anti-slavery movement in Britain; the transatlantic literary marketplace; and the impact of copyright legislation in the United States. It also explores the stylistic and ideological allure of American Indian cultures and the emergence of new cultural identities on both sides of the Atlantic
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