... and cathected in different ways in different art forms, in the process generating their different and characteristic rhythms and tempi. I unpack this claim with reference to Lyotard’s phenomenology of aesthetic events in Postmodern Fables. Dayan Peter intermediality aesthetic events...

... melopoeia, drawing on all music’s resources, rhythm, song, notation, and even pitch. We observe Pound experimenting with typography, and with W. B. Yeats’s prompting fastening on the ‘inner form’ of the line, the precise rhythmic equivalent of what would become T. S. Eliot’s ‘objective correlative’. Line...

...Early-twentieth-century British intellectuals are usually considered reliable guides to new French rhythms arriving from over the Channel and encapsulating soundly modernist aesthetics. Near transparent spelling of many key notions and concepts in the two languages further enhances such convictions...

...This first introduction by the editors provides an overview of the chapter contributions, structured with specific commentaries for each of the three parts of the book (Modalities of Rhythm; Sites and Practices; and Rhythmanalysis). More broadly, the introduction sets out the underlying critical...

...This chapter opens up a posthumanist and radical empiricist approach to rhythm. This approach suspends commitment to a particular notion of the anthropic subject, whether phenomenological, psychological or cognitive. In this sense, it shares with pragmatism and process philosophy the proposition...

...This chapter offers a speculative reading of the concept of rhythm in relation to capital and in the context of financial technologies such as trading algorithms, bitcoin and other cryptocurrencies (the blockchain), which are treated through a reading of the posthumanist philosophy of Gilles...

...This chapter examines the fraudulent ‘translations’ that Mansfield composed under the pseudonym ‘Boris Petrovsky’ for the little magazine Rhythm. Suggesting the possible origins of this imagined name, the article reads these poems within the original material contexts...

..., mutually wounded: their correspondence offers unique access into their relationship, but also into their individual personal and poetic development. In particular, Hopkins’s letters to Bridges represent his most thorough-going attempts to explain his innovative metre, ‘sprung rhythm’, which explanation...

...This chapter investigates the ways that Katherine Mansfield’s ‘Miss Brill’ is constructed through textual rhythms. Specifically, it argues that the story is distinguished by an arrhythmic duality created largely by the way that Miss Brill’s resolutely cheerful voice, which reaches us via free...

...The late nineteenth and early twentieth centuries saw a fascination with the concept of ‘rhythm’ in a range of disciplinary and transdisciplinary contexts, a preoccupation which would later be developed in movements such as Henri Lefebvre’s ‘Rhythmanalysis.’ The experimental psychologists...

... is associated, including Webern. Efforts at ‘modernising’ music other than Schoenberg’s are next considered under the rubrics of pitch (and pitch division), rhythm, timbre, timbre and instrumentation: key figures in these discussions include Ezra Pound, Stravinsky, and Luigi Russolo. Béla Bartók’s activities...

... Fisher close ups split screen ‘cinema of attractions’ narrative audiences Méliès Georges modernity spectators avant-garde cinema blurred Images visual intensity aesthetic rhythm indeterminacy of vision Peter Tscherkassky John Cage In the course of his exploration of the more or less hidden...

...This chapter gives a summary of what has been said previously in the text and restates the critique that is made of liberal multiculturalism. It then goes on to concretise what was said in the previous chapter about rhythm and syncopation by giving some examples. It takes a look at the film Le...

... to particular films. It explores the concepts of rhythm and resonance, uncertainty and affect, sense and texture, to bring a fresh perspective to film analysis and criticism, and a new approach to the issue of temporality in film....

... On the Art of Building Aquinas Thomas Fibonacci sequence Goethe Johann Wolfgang von Lefebvre Henri The Production of Space Modernism Palladio Andrea Plato Plotinus Eliot T S Joyce James Ulysses Pound Ezra BBC time sequence linear narrative temporal order temporal succession space rhythm...

...The introduction establishes the concept of the cinematic pulse, outlining the limitations in Rosalind E. Krauss’s theory of the pulse and the need for an energetic understanding of cinema. It describes ways by which the pulse may be distinguished from rhythm. Definitions of key concepts...

... texts which cover the core concepts and topics of Meschonnic’s theory. It explores his key ideas on poetics, the poem, rhythm, discourse and his critique of the sign. Meschonnic’s vast oeuvre was continuously preoccupied with the question of a poetics of society; he constantly connected...

...This chapter explores Victor Burgin's Prairie through rhythm and the aesthetic conditions for constituting politically viable engagements with the image. The chapter posits rhythm as something simultaneously organising the relationship between the political and the aesthetic and as a principle...

...This chapter first discusses the consonants and then the vowels of Singapore English. It then considers suprasegmental features such as rhythm, intonation and stress placement. It also compares the sounds of Singapore English with the English found in other countries in the region. Labov William...

... structures of the Parnassian poet as engaging not in a nostalgia for a secure and orderly ideal of the past, but with the machine and commodity rhythms and forms of the ‘second’ industrial revolution. This engagement with the past in fact a means of engaging with the present. Ultimately asking what kind...