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Keywords: Genre Hybridity
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Chapter
How to Survive a Vampire Apocalypse: Or, what to Do When the Vampires are Us
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Stacey Abbott
Published: 01 November 2016
... terrorism Underworld Center for Disease Control CDC Contagion Byronic Hero genre hybridity Christian imagery Martin Near Dark religion Lost Boys The pandemic Night of the Living Dead Van Helsing Wood Robin Mitchell Dominic Vampire Apocalypse Post-apocalypse Religion Fundamentalism 9/11...
Chapter
My Mama Done Tol’ Me’: Jewish Émigré Noir, Hybridity, and Black-Jewish Relations in Blues in the Night
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Vincent Brook
Published: 17 October 2023
.... Through this close reading, the liminal appears in questions of generic hybridity, race relations, and the role of the Jewish émigré filmmaker. Blues in the Night dir Litvak 1941 genre hybridity film Jewish émigré directors Lang Fritz Litvak Anatole World War II Double Indemnity dir Wilder 1944...
Chapter
Introduction: Liminality and the Boundaries of Film Noir
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Elyce Rae Helford and Christopher Weedman
Published: 17 October 2023
... chapter. post war era World War II femme fatale social class borders national expressionism genre film Poetic Realism French fragmentation genre hybridity film location shooting neorealism voice over narration World War II Film noir Liminality World Cinema Classical-era Film Genre...
Chapter
Published: 25 April 2011
...The chapter explores the challenges in defining action cinema as a popular form, given its inherent genre hybridity. It suggests that the action film creates fantasies of empowerment which combine a persistent, detailed and spectacularised attention to the exerting body with thematic preoccupations...
Book
Liminal Noir in Classical World Cinema
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Elyce Helford (ed.) and Christopher Weedman (ed.)
Published online: 23 May 2024
Published in print: 17 October 2023
... including Argentina, the former Czechoslovakia, France, Great Britain, Japan, Poland, Spain, and the US, the authors consider elements of genre hybridity, border crossing, boundary breaching, and other signifiers of liminality to reassess classical-era films that defy conventional generic and stylistic...