Adorno and the Antifascist Geographical Imagination
Adorno and the Antifascist Geographical Imagination
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Abstract
‘To think antifascistically is necessarily to think geographically; to think geographically ought to be to think antifascistically.’ This aphorism sets the compass for the book's ambitious attempt to fold questions of fascism and antifascism into the remit of ‘Geotheory’ (the focus of the host book series). Alert to fascism's pernicious haunting of our contemporary moment, it reaches for intellectual resources through which to fashion constellations of antifascist thought hinging on attentiveness to space, place, landscape and nature. Specifically, it offers the first attempt systematically to explore the ‘geographies’ integral to the thinking of Theodor W. Adorno, premier exponent of the Frankfurt School of critical theory whose writings - on philosophy and sociology, politics and culture, literature and music - were often framed precisely against the threat of fascistic regression. By disclosing Adorno's geographies, the shape of a geographical antifascism comes into view as a transformational restatement of critical geography's spirit and purpose.
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Front Matter
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Prologue
Towards the antifascist geographical imagination
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1
Adorno, geography, fascism, antifascism
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2
Nature, space and the geographies of unenlightenment
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3
Love, hate and social geographies of the ‘vanquished’, ‘disinherited’ and ‘insignificant’
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4
Melancholic geographies of the fragmentary and nothing-much
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5
Metaphysical geographies of the non-conceptual and non-identical
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6
Actuality, interiority and beyond bourgeois existential geographies
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7
Authenticity, rusticity and beyond fascist existential geographies
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8
Aesthetics and artworks from culture industry to cultural landscapes
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9
Physiognomy, geometry, jazz and the multiple spaces of/in musical material
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10
Authoritarianism, astrology and the scaled spaces of fascism
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Epilogue
Reaching the antifascist geographical imagination
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End Matter
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