Cinema, Culture, Scotland: Selected Essays
Cinema, Culture, Scotland: Selected Essays
Senior Lecturer in Film and Visual Culture
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Abstract
Cinema, Culture, Scotland: Selected Essays anthologises selected key works from the oeuvre of Colin McArthur, a pioneering figure within Anglophone Film and Scottish cultural studies since the 1960s. Collecting together thirty-seven essays written between 1966 and 2022, twenty-one of which were hitherto out-of-print, the book identifies and illustrates the central strands of scholarly interest that have defined one of British Film Studies and Scottish Cultural Studies’ most influential careers: critical investigation and legitimisation of mid-twentieth-century Hollywood cinema and popular American film genres; the cinematic representation of Scotland and the gradual development of a Scottish film production sector; and Scotland’s status as a distinctive visual and material cultural signifier within a diverse range of international popular cultures from the eighteenth century to the present. Cinema, Culture, Scotland: Curates an extensive selection of key works (over half of which are currently out-of-print) by a leading Scottish and British film and cultural critic. Includes two newly written synthesising reflections on this important body of individual scholarship, in the form of an editorial introduction and an authorial afterword. Enables established, emerging, and future generations of scholars to discover and re/assess the career of one of Anglophone Film Studies’ founding and most distinctive and influential critical voices. Enhances historical and intellectual awareness and evaluative understanding of multiple fields and traditions of debate within Anglophone Film Studies and modern Scottish Cultural Studies. Supports enhanced understanding of a range of intellectual and creative milieus that have shaped both historical and contemporary Scottish and British moving image and broader popular cultures.
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Front Matter
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Editor’s Introduction
Jonathan Murray
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1
Ashes and Diamonds
Colin McArthur andJonathan Murray
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2
The Roots of the Western
Colin McArthur andJonathan Murray
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3
Pickup on South Street
Colin McArthur andJonathan Murray
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4
Extract from Underworld U.S.A.
Colin McArthur andJonathan Murray
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5
Politicising Scottish Film Culture
Colin McArthur andJonathan Murray
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6
Crossfire and the Anglo-American Critical Tradition
Colin McArthur andJonathan Murray
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7
Breaking the Signs: Scotch Myths as Cultural Struggle
Colin McArthur andJonathan Murray
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8
Scotland and Cinema: The Iniquity of the Fathers
Colin McArthur andJonathan Murray
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9
The Maggie
Colin McArthur andJonathan Murray
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10
National Identities
Colin McArthur andJonathan Murray
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11
TV Commercials: Moving Statues and Old Movies
Colin McArthur andJonathan Murray
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12
Tele-history: The Dragon Has Two Tongues
Colin McArthur andJonathan Murray
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13
Scotland’s Story
Colin McArthur andJonathan Murray
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14
The Dialectic of National Identity: The Glasgow Empire Exhibition of 1938
Colin McArthur andJonathan Murray
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15
The New Scottish Cinema?
Colin McArthur andJonathan Murray
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16
The Rises and Falls of the Edinburgh International Film Festival
Colin McArthur andJonathan Murray
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17
A Dram for All Seasons: The Diverse Identities of Scotch
Colin McArthur andJonathan Murray
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18
Scottish Culture: A Reply to David McCrone
Colin McArthur andJonathan Murray
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19
In Praise of a Poor Cinema
Colin McArthur andJonathan Murray
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20
Wake for a Glasgow Culture Hero
Colin McArthur andJonathan Murray
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21
The Cultural Necessity of a Poor Celtic Cinema
Colin McArthur andJonathan Murray
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22
Culloden: A Pre-emptive Strike
Colin McArthur andJonathan Murray
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23
Casablanca: Where Have All the Fascists Gone?
Colin McArthur andJonathan Murray
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24
The Scottish Discursive Unconscious
Colin McArthur andJonathan Murray
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25
Chinese Boxes and Russian Dolls: Tracking the Elusive Cinematic City
Colin McArthur andJonathan Murray
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26
Artists and Philistines: The Irish and Scottish Film Milieux
Colin McArthur andJonathan Murray
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27
Braveheart and the Scottish Aesthetic Dementia
Colin McArthur andJonathan Murray
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28
The Exquisite Corpse of Rab(elais) C(opernicus) Nesbitt
Colin McArthur andJonathan Murray
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29
Mise-en-scène Degree Zero: Jean-Pierre Melville’s Le Samouraï
Colin McArthur andJonathan Murray
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30
The Critics Who Knew Too Little: Hitchcock and the Absent Class Paradigm
Colin McArthur andJonathan Murray
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31
Caledonianising Macbeth, or, How Scottish is ‘The Scottish Play’?
Colin McArthur andJonathan Murray
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32
Two Steps Forward, One Step Back: Cultural Struggle in the British Film Institute
Colin McArthur andJonathan Murray
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33
Transatlantic Scots, Their Interlocutors and the Scottish Discursive Unconscious
Colin McArthur andJonathan Murray
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34
Scotch Myths, Scottish Film Culture and the Suppression of Ludic Modernism
Colin McArthur andJonathan Murray
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35
Bring Furrit the Tartan-Necks! Nationalist Intellectuals and Scottish Popular Culture
Colin McArthur andJonathan Murray
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36
Vanished or Banished? Murray Grigor as Absent Scots Auteur
Colin McArthur andJonathan Murray
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Author’s Afterword
Colin McArthur
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End Matter
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