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As co-editors, our first thanks go to the contributors, whose compelling studies provide the substance of this volume, illustrating whatever merit our subject and approach possess in illuminating the ongoing value of classic noir cinema for international film studies in the twenty-first century. We are grateful to have been introduced to compelling theory and new films by tremendous scholars at all stages of the profession. We appreciate and value the support of many at Edinburgh University Press, especially Gillian Leslie, Sam Johnson, Fiona Conn, and Christine Barton. A special thanks to series editors Linda Badley and R. Barton Palmer, who not only encouraged us and offered great advice that has improved the volume but also provided introductions to several of the excellent writers whose work is included herein. And cheers to MTSU graduate assistant Lis Sodl for her work on the index.
Elyce thanks her amazingly supportive spouse and son for their encouragement, patience, and reminder to take time away from academic work now and then. Sincere appreciation to Vince Brook for his friendship and helpful feedback on her chapter. And a shout-out to the #BNoirDetour crew that gathered for years on Sunday evenings for public domain noir livetweets.
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