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A king on repeat A king on repeat
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Goodbyes Goodbyes
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Man-statue? Man-statue?
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A digital afterlife A digital afterlife
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Notes Notes
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9 An afterlife – et cetera, et cetera, et cetera
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Published:March 2023
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Abstract
In 1976, Brynner returned on Broadway with a stage revival of The King andI, versions of which he played up until shortly before his death in 1985. Starting with the press reception of these shows, this chapter considers the tight association between the actor and the role – one that continued in posthumous forms of remembrance. The kingly reverberation of the actor as ‘The King’ continued in the titles of later biographies; in 2012, a statue of Brynner as King Mongkut was erected in front of his childhood home in Vladivostok. The chapter considers various forms and diverse technologies of remembrance: obituaries, posthumously aired infomercials, biographies, statues and contemporary products of vernacular digital culture. Focusing on both repetitions and variations within these, it asks what remains of film stardom after an actor’s demise.
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