Counter-Memories in Iranian Cinema
Counter-Memories in Iranian Cinema
Cite
Abstract
›Counter-Memories‹ are memories that are barred from hegemonic history, but are, nevertheless present in cinematic forms. They have the potential to destabilize official narratives and normative orders of remembering. Inside the main stream of memories those memories stay invisible, marginalized by power effects and epistemic oppression. Due to the strategic and artistic interventions of a range of Iranian filmmakers, such as Abbas Kiarostami and Shahram Mokri, Ali Hatami and Tahmineh Milani, Kianoush Ayari and Rakshan Banietemad, the history of post-revolutionary Iranian Cinema is also structured by counter-memories, with the potential to destabilise officially fabricated success stories of revolution, war and sacred defence. Counter-Memories in Iranian Cinema establishes a new framework for understanding the tensions between censorship and resistance, helping to carve out resistant points of remembering both within and outside state-controlled cinema. The chapters combine archaeological and genealogical perspectives in order to dig for alternative ›histories of the present‹ (Foucault), excavating silenced experiences and suppressed struggles that nevertheless articulate themselves in cinematic forms, looking for ruptures, frictions and sudden re-distributions within the trauma- and memoryscapes of Iranian Cinema, capturing the interplay between ‹historical time› and ‹times of remembering›. The approaches introduce new readings of Iranian films and from there suggest a cinema-inspired, material-oriented theory of trauma and memory.
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Front Matter
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Introduction
Matthias Wittmann andUte Holl
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Part I An Archaeology of Possible Futures
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Part II Material Matters: Memory, Accessibility, Translation
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Part III Interstices. Niches. Impure Memories
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7.
Towards an Impure Memory: An Archaeology of Counter-Memories Through Telescoping Lenses
Matthias Wittmann
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8.
Seeking Love in the Interstices: Acousmatic Listening as Counter-Memory in Abbas Kiarostami’s Shirin (2008)
Michelle Langford
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9.
Spiritual Counter-Memories of the War: Mohammad Ali Ahangar’s Recent Contributions to the Sīnemā-ye Defāʿ-ye Moqaddas
Viktor Ullmann
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7.
Towards an Impure Memory: An Archaeology of Counter-Memories Through Telescoping Lenses
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Part IV Transgenerational Gaps and Transmissions
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End Matter
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