
Contents
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Metaphors and Materialities Metaphors and Materialities
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Media and Memory Media and Memory
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Masquerades and Simulation Masquerades and Simulation
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Notes Notes
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References References
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6. Different Time, Different Space: Filmic Forms of Counter-Memory in Abbas Kiarostami’s Koker Trilogy
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Published:October 2021
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Abstract
Ute Holl examines Kiarostami’s Koker Trilogy in terms of historiography, using genealogical procedures. Taking the cue from Nietzsche and Foucault, she argues that memory is a matter of constant translation, negotiating power relations as well as individual forms of resistance and resilience. It is a changing order whose content is shaped according to cultural techniques, discursive formations, and, above all, prevalent media systems. Memories are made of intrinsic connections between people, techniques, and practices. Holl shows how Kiarostami is examining grand metaphors through very material aspects in confronting different cultural techniques of remembering. In negotiating the power inherent in things, such as the door and the pathway, or in the clash of different media, such as scripture and sounds, cinema and television, or in opposing particular spaces such as a stage and a filmset, Kiarostami’s films bring out moments where memory as a collective or individual cultural technique falters and fails. In such moments of irritation and disturbances, a counter-memory makes its sudden appearance and affects what can be remembered, on screen and beyond.
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