Sino-Enchantment: The Fantastic in Contemporary Chinese Cinemas
Sino-Enchantment: The Fantastic in Contemporary Chinese Cinemas
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Abstract
Although Chinese film audiences, including those in the PRC, Taiwan and Hong Kong, have always maintained a foundational cultural interest in the fantastic, this trend has dramatically increased over the last decade. Sino-Enchantment is the first work in English to approach this recent explosion of fantastic films in Chinese cinemas, where each re-envisioning of the form is determined by cultural, economic, political and technological factors to produce fresh inventions and creative reinventions of familiar narratives, characters and tropes. As a whole, the book argues that fantastic cinemas serve a fundamental function of re-enchanting mundane modern society with wonder and awe. Individual chapters present detailed examinations of works by famous filmmakers such as Zhang Yimou, Tsui Hark and Stephen Chow, as well as case studies of films like The Assassin (2015), Monster Hunt (2015) and The Great Wall (2016). The book focuses on a range of cinematic forms, practices and themes, which include blockbuster films, art cinema, exploitation B-movies, digital effects, ecocinema, film blanc and contemporary adaptations of traditional Chinese classics. Sino-enchantment functions as a new theoretical lens through which readers can engage with elements of the fantastic in Chinese cinema in nuanced, complex and innovative ways.
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Front Matter
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1
Introduction: The Fantastic as Sino-Enchantment in Contemporary Chinese Cinemas
Kenneth Chan andAndrew Stuckey
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Part I Visuality/Virtuality
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Part II Genres of Sino-Enchantment
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5
The Restrained Fantastic in Hou Hsiao-hsien’s The Assassin
Andrew Stuckey
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6
An Auteurist Journey through the Fantastic Mode: A Case Study of Ho Meng-hua
Shi-Yan Chao
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7
Tracing the Science Fiction Genre in Hong Kong Cinema
Tom Cunliffe
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8
Chick Flick Fantasy and Postfeminism in Chinese Cinema: 20 Once Again as a Transnational Remake
Elaine Chung
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9
The Sacred Spectacle: Subverting Scepticism in Tsui Hark’s Detective Dee Films
Ian Pettigrew
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5
The Restrained Fantastic in Hou Hsiao-hsien’s The Assassin
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Part III Ethics
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10
Almost Wild, But Not Quite: The Indexical and the Fantastic Animal Other in China-Co-Produced (Eco)Cinema
Yiman Wang
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11
Domesticity, Sentimentality and Otherness: The Boundary of the Human in Monster Hunt
Mei Yang
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12
Transforming Tripitaka: Toward a (Buddhist) Planetary Ethics in Stephen Chow’s Adaptation of Journey to the West
Kenneth Chan
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Coda: Sino-Enchantment in a Time of Crisis
Kenneth Chan andAndrew Stuckey
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10
Almost Wild, But Not Quite: The Indexical and the Fantastic Animal Other in China-Co-Produced (Eco)Cinema
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End Matter
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