
Contents
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Joycean ‘Cinematicity’ Joycean ‘Cinematicity’
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‘Educating the Eye’ ‘Educating the Eye’
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Inter-mediality in Moving Image Culture Inter-mediality in Moving Image Culture
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Playing with Persistence of Vision Playing with Persistence of Vision
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Narrative Monstration Narrative Monstration
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‘Life to those Shadows’ ‘Life to those Shadows’
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Magic Lanternism Magic Lanternism
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‘Picturing Time’ ‘Picturing Time’
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Moving Panoramas Moving Panoramas
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Coda Coda
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Before the Volta: Early Film Shows and Genres in Dublin Before the Volta: Early Film Shows and Genres in Dublin
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‘All the varied life of the great metropolis’: Joyce and Early Irish Actualities ‘All the varied life of the great metropolis’: Joyce and Early Irish Actualities
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The Photoplay in Dublin The Photoplay in Dublin
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The Creation of ‘Cinema’ in Dublin: A Visual Revolution The Creation of ‘Cinema’ in Dublin: A Visual Revolution
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Notes Notes
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Cite
Abstract
Lays out the case that the cinematic tendency of Joyce’s writing developed from media predating film. It explains how Victorian culture’s emergent 'cinematicity' was a key creative driver of Joyce’s experimental fiction and details research methods and evidence for showing how his style and themes share the cinematograph’s roots in Victorian science and optical entertainment. It explicates how the book’s scope reveals and elucidates Joyce's references to optical toys, shadowgraphs, magic lanterns, panoramas, photographic analysis and film peepshows, which testify to his awareness of a moving image and projection culture before 1895, which film remediated. It also details how abundant close analysis in the following chapters will show how his techniques elaborated and critiqued their effects on modernity’s ‘media-cultural imaginary’; thus how Joyce’s writing could appear in advance of the narrative forms of early film itself. Consequently, the introduction provides detailed historicisation of Dublin’s visual culture during Joyce’s youth, as well as relevant optical science of the time, Dublin’s first film screenings and the context of his Volta Cinematograph.
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