The Modern Short Story and Magazine Culture, 1880-1950
The Modern Short Story and Magazine Culture, 1880-1950
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Abstract
This collection of original essays highlights the intertwined fates of the modern short story and periodical culture in the period 1880–1950, the heyday of magazine short fiction in Britain. Through case studies that focus on particular magazines, short stories and authors, chapters investigate the presence, status and functioning of short stories within a variety of periodical publications – highbrow and popular, mainstream and specialised, middlebrow and avant-garde. Examining the impact of social and publishing networks on the production, dissemination and reception of short stories, this essay collection foregrounds the ways in which magazines and periodicals shaped conversations about the short story form and prompted or provoked writers into developing the genre.
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Front Matter
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Introduction
Elke D’hoker andChris Mourant
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1
The ‘wire-puller’: L. T. Meade, Atalanta and the Development of the Short Story
Whitney Standlee
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2
The Short Story Series of Annie S. Swan for The Woman at Home
Elke D’hoker
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3
Hubert Crackanthorpe and The Albemarle: A Study of Contexts
David Malcolm
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4
‘It is astonishing how little literature has to show of the life of the poor’: Ford Madox Ford’s The English Review and D. H. Lawrence’s Early Short Fiction
Annalise Grice
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5
Rhythm and the Short Story
Louise Edensor
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6
For Love or Money: Popular 1920s Artist Stories in The Royal and The Strand
Emma West
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7
Fiction for the Woman of To-day: The Modern Short Story in Eve
Alice Wood
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8
Calling Parrots in Walter de la Mare and Elizabeth Bowen: A Communion in The London Mercury
Yui Kajita
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9
Virginia Woolf and Aldous Huxley in Good Housekeeping Magazine
Saskia McCracken
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10
Virginia Woolf and the Magazines
Dean Baldwin
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11
Horizon Magazine and the Wartime Short Story, 1940–1945
Ann-Marie Einhaus
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12
John Lehmann’s War Effort: The Penguin New Writing (1940–1950)
Tessa Thorniley
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13
Voicing ‘the native tang of idiom’: Lagan Magazine, 1943–1946
Tara McEvoy
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14
The Short Story in Wales (1937–1949): ‘Though we write in English, we are rooted in Wales’
Daniel Hughes
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End Matter
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