
Contents
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Humanising the Other Humanising the Other
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Character Complexity and Elaboration on the Attempt Character Complexity and Elaboration on the Attempt
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The Use of Science in Analysis The Use of Science in Analysis
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Antihumanism and Alternatives to Humanist Hermeneutics Antihumanism and Alternatives to Humanist Hermeneutics
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Conclusions and Future Directions Conclusions and Future Directions
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Notes Notes
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1 Reading the Human Drama in Film and Fiction
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Published:November 2019
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Abstract
This chapter goes into greater detail regarding the history of humanist thought and the way a narrative-based humanism might be exhumed from humanism’s philosophical lineage. It looks at the differences between Renaissance, canonical, and contemporary secular humanisms and the set of values that are conjured when a narrative is described as “humanistic.” It makes a case for humanism as both a style of storytelling, and a reading method, and thus establishes a “humanist hermeneutics” that will be carried through the remainder of the book. In so doing, this chapter sets up some core values of narrative humanism: it describes the difference between narrative and character complexity, the use of social science as a hermeneutic tool, the value of incomplete striving for understanding rather than grand theories that totalise people’s worlds, and finally describes some of the alternatives to humanism before concluding.
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