
Published online:
22 March 2012
Published in print:
20 May 2005
Online ISBN:
9780748652587
Print ISBN:
9780748635030
Contents
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The Disappearance of Latitudinarianism The Disappearance of Latitudinarianism
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Goat Island, Deleuze's Bergsonism and the Experience of Duration Goat Island, Deleuze's Bergsonism and the Experience of Duration
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Deleuze's Bergsonism Deleuze's Bergsonism
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Attending to the Ordinary: ‘Virtualism’ versus ‘A modest Americanisation of Deleuze’ Attending to the Ordinary: ‘Virtualism’ versus ‘A modest Americanisation of Deleuze’
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Waiting For … Something/Nothing's Happening Waiting For … Something/Nothing's Happening
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Conclusion: Intuitive Practice in Performance and Philosophy Conclusion: Intuitive Practice in Performance and Philosophy
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References References
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Notes Notes
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Cite
Goulish, Matthew, and Laura Cull, 'sub specie durationis', Deleuze and Performance (Edinburgh , 2005; online edn, Edinburgh Scholarship Online, 22 Mar. 2012), https://doi.org/10.3366/edinburgh/9780748635030.003.0007, accessed 5 May 2025.
Abstract
This chapter explores Gilles Deleuze's Bergsonism and the notion of multiplicity with respect to latitude and longitude, and the relation between the spatial and the temporal in performance. It highlights the complexity of the ordinary and the thickness of the present against narratives of disappearance, or correlative (over-)emphases on virtuality. It suggests that the collaborative performance group Goat Island's ‘creative response’ might also be an apt description of Deleuze's Bergsonism, though it was not a representation of Henri Bergson, so much as a creative interpretation that aims to generate novelty.
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