Afromodernisms: Paris, Harlem and the Avant-Garde
Online ISBN:
9780748684410
Print ISBN:
9780748646401
Publisher:
Edinburgh University Press
Book
Afromodernisms: Paris, Harlem and the Avant-Garde
Published online:
29 May 2014
Published in print:
6 February 2013
Online ISBN:
9780748684410
Print ISBN:
9780748646401
Publisher:
Edinburgh University Press
Cite
Sweeney, Fionnghuala, and Kate Marsh (eds), Afromodernisms: Paris, Harlem and the Avant-Garde (Edinburgh , 2013; online edn, Edinburgh Scholarship Online, 29 May 2014), https://doi.org/10.3366/edinburgh/9780748646401.001.0001, accessed 18 Apr. 2025.
Abstract
The ten chapters in this book stretch and challenge current canonical configurations of modernism in two key ways: by considering the centrality of black artists, writers, and intellectuals as key actors and core presences in the development of a modernist avant-garde; and by interrogating ‘blackness’ as an aesthetic and political category at critical moments during the twentieth century. The book explores the term ‘Afromodernisms’ and addresses together the cognate fields of modernism and the black Atlantic.
Contents
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Front Matter
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Introduction: Afromodernisms – Black Modernist Practice in Contemporary Context
Fionnghuala Sweeney
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I. Paris, blackness and the avant-garde
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II. Afromodern Caribbean
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4
Modernism, Anthropology, Africanism and the Self: Hurston and Herskovits on/in Haiti
Claudine Raynaud
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5
Asymmetrical Possessions: Zora Neale Hurston and the Gendered Fictions of Black Modernity
Samantha Pinto
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6
‘Forget Paris?’ – Transnationalism in the Spiritual Works of Karl Parboosingh
Claudia Hucke
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4
Modernism, Anthropology, Africanism and the Self: Hurston and Herskovits on/in Haiti
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III. Harlem: Metaphors of modern experience
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7
‘Death to any one that puts his foot in No Man[’s] Land’: ‘Afromodernist’ Reimagining and Aesthetic Experimentation in Horace Pippin’s World War I Manuscripts and Paintings
Celeste-Marie Bernier
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8
Making the Word Flesh: Three at the Threshold of Tomorrow
Barbara Lewis
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9
‘Thinking in hieroglyphics’: Representations of Egypt in the New Negro Renaissance
Rachel Farebrother
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Afterword: Stormy Weather and Afromodernism
Bill E. Lawson
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7
‘Death to any one that puts his foot in No Man[’s] Land’: ‘Afromodernist’ Reimagining and Aesthetic Experimentation in Horace Pippin’s World War I Manuscripts and Paintings
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End Matter
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