Moving Figures: Class and Feeling in the Films of Jia Zhangke
Moving Figures: Class and Feeling in the Films of Jia Zhangke
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Abstract
This book examines how the films of the Chinese Sixth Generation filmmaker Jia Zhangke evoke the affective “felt” experience of China’s contemporary social and economic transformations, by examining the class figures of worker, peasant, soldier, intellectual, and entrepreneur that are found in the films. Each chapter analyzes a figure’s socio-historical context, its filmic representation, and its recurring cinematic tropes in order to understand how they create what Raymond Williams calls “structures of feeling” – feelings that concretize around particular times, places, generations, and classes that are captured and evoked in art – and charts how this felt experience has changed over the past forty years of China’s economic reforms. The book argues that that Jia’s cinema should be understood not just as narratives that represent Chinese social change, but also as an effort to engage the audience’s emotional responses during this period of China’s massive and fast-paced transformation.
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Front Matter
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Introduction
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1
The Worker Class: From Leader to the Margins
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2
The Peasant and the Mingong: From Empathy to Sympathy to Looking Back
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3
The Soldier: From Degraded Reproduction to Avenging Hero
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4
The Intellectual: Power and the Voice
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5
The Entrepreneur: From Crook to “New Reform Model”
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End Matter
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