9/11 and the War on Terror
9/11 and the War on Terror
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Abstract
David Holloway's interdisciplinary study of how 9/11 and the war on terror were represented during the Bush era, shows how culture functioned as a vital resource for citizens attempting to make sense of momentous events that frequently seemed beyond their influence or control. Illustrated throughout, the book discusses representation of 9/11 and the war on terror in: Hollywood film; the 9/11 Novel; news media; visual art and photography; contemporary political and historical debates, particularly those about American “empire” and the limits of “republican” governance As well as prompting an international security crisis, and a crisis in international governance and law, Holloway suggests the culture of the time also points to a ‘crisis’ unfolding in the institutions and processes of republican democracy in the U.S. between the September 11 attacks and the Congressional midterm elections in 2006; a crisis he suggests was contained and defused by the cathartic symbolism of the American political process. Holloway presents 9/11 and the war on terror not as a break, rupture or transformation in American history, but as events with deep historical and political roots, whose representation in the Bush-era was generally framed within well-worn cultural and intellectual traditions. The book offers a cultural and ideological history of the period, showing how culture was used by contemporaries to participate in, and to side-step, debate as to the causes, consequences, and implications, of 9/11 and the war on terror.
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Front Matter
- Introduction: Continuity and Crisis
- 1 History: From the ‘Clash of Civilizations’ to ‘New Empire Revisionism’
- 2 Politics: ‘Crisis’ in the Republic. The Unitary Executive, the Bush Doctrine and Adversarial Review
- 3 Mass Media: Throttling the Life from the Republican Fourth Estate
- 4 Cinema: ‘Allegory Lite’, and the movie Hollywood Refused to Make
- 5 Literature: The 9/11 Novel
- 6 Photography and Visual Art: ‘Convulsions of empire’ and ‘adventures in cubism’. Visualising republican culture after 9/11
- Conclusion
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End Matter
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