Hong Kong Horror Cinema
Hong Kong Horror Cinema
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Abstract
Dumplings stuffed with diabolical fillings. Sword-wielding zombies. Hopping cadavers. Big-head babies. For decades, Hong Kong cinema has served up images of horror quite unlike those found in other parts of the world. In seminal films such as A Chinese Ghost Story, Rouge, The Eye, Dumplings, and Rigor Mortis, the region’s filmmakers have pushed the boundaries of genre, cinematic style, and bad taste. But what makes Hong Kong horror cinema so utterly unique? How has this cult tradition developed over time? Why does it hold such fascination for “serious” cinephiles and cult fans alike? And how have Hong Kong horror movies shaped the genre internationally? This book provides answers to such questions, celebrating the classics of the genre while introducing readers to lesser known films. Hong Kong Horror Cinema is the first book about this delirious and captivating cinematic tradition.
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Front Matter
- Introduction
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Part I Formations and Fragmentations: the Development of Hong Kong Horror
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1
What Can a Neoi Gwei Teach Us? Adaptation as Reincarnation in Hong Kong Horror of the 1950s
Raymond Tsang
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2
The White Snake in Hong Kong Horror Cinema: from Horrific Tales to Crowd Pleasers
Liang Luo
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3
From Killer Snakes to Taxi Hunters: Hong Kong Horror in an Exploitation Context
Andy Willis
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4
The Enduring Cult of The Bride with White Hair: Chivalry and the Monstrous Other in the Hong Kong Fantasy-Horror
Daniel Martin
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1
What Can a Neoi Gwei Teach Us? Adaptation as Reincarnation in Hong Kong Horror of the 1950s
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Part II Genre Hybridity: Comedy and Kung Fu in the Hong Kong Horror
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5
Animated Pasts and Unseen Futures: on the Comic Element in Hong Kong Horror
Andrew Grossman
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6
Performing (Comic) Abjection in the Hong Kong Ghost Story
Felicia Chan
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7
Hands, Fingers and Fists: ‘Grasping’ Hong Kong Horror Films
David Scott Diffrient
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8
Tsui Hark’s Detective Dee Films: Police Procedural Colludes with Supernatural-Martial Arts Cinema
Kenneth Chan
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5
Animated Pasts and Unseen Futures: on the Comic Element in Hong Kong Horror
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Part III Transnational Trends: Globalisation and Politics in Contemporary Hong Kong Horror
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9
Cross-border Implications: Transnational Haunting, Gender and the Persistent Look of The Eye
Enrique Ajuria Ibarra
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10
Food for Thought: Cannibalism in The Untold Story and Dumplings
Lisa Odham Stokes
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11
Sympathy for the Slasher: Strategies of Character Engagement in Pang Ho-cheung’s Dream Home
Gary Bettinson
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12
Ghostly Returns: the Politics of Horror in Hong Kong Cinema
Vivian Lee
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9
Cross-border Implications: Transnational Haunting, Gender and the Persistent Look of The Eye
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End Matter
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