
Published online:
22 March 2012
Published in print:
26 October 2004
Online ISBN:
9780748651733
Print ISBN:
9780748617630
Contents
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Francis Ford Coppola’s Apocalypse Now and Western descents to the East Francis Ford Coppola’s Apocalypse Now and Western descents to the East
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Salman Rushdie’s disoriented subjects Salman Rushdie’s disoriented subjects
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The migrations of Orpheus in five acts: Rushdie’s The Ground Beneath Her Feet The migrations of Orpheus in five acts: Rushdie’s The Ground Beneath Her Feet
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Threshold crossing Threshold crossing
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Ground Zero Ground Zero
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Looking back Looking back
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Dismemberment Dismemberment
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Return of another Return of another
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Notes Notes
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Cite
Falconer, Rachel, 'East-West Descent Narratives', Hell in Contemporary Literature: Western Descent Narratives since 1945 (Edinburgh , 2004; online edn, Edinburgh Scholarship Online, 22 Mar. 2012), https://doi.org/10.3366/edinburgh/9780748617630.003.0009, accessed 14 May 2025.
Abstract
This chapter discusses several East–West descent narratives. The first is Francis Ford Coppola's Apocalypse Now, which represents the descent of a Western, imperial hero into a demonic Eastern/Southern underworld. The chapter then studies Salman Rushdie's The Jaguar Smile and The Ground Beneath Her Feet, the latter as a revision of the myth of Orpheus, and examines rich and positive representations of East–West relations and descent journeys from one region to another. It also contrasts the Bush administration's polarised worldview, where certain Eastern states have all been characterised as an ‘axis of evil’.
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