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The idea for this volume was conceived at the international conference ‘Ford Madox Ford’s Parade’s End: Modernism and the First World War’, which we organised at the Institute of English Studies (IES), University of London, in September 2012. Our first thanks go to Jon Millington and all at the IES, along with everyone who attended and contributed to one of the most stimulating and convivial conferences we’ve had the fortune to be involved with. We are especially grateful to our special guests Susanna White, director of the BBC/HBO adaptation of Parade’s End, and Rupert Edwards, writer/director/producer of the BBC’s Who On Earth Was Ford Madox Ford? A Culture Show Special, both of which were first broadcast shortly before the conference. Alongside a number of specially commissioned pieces, several of the chapters included in this volume were inspired by papers delivered at the IES.
We are immensely grateful to the members of the Ford Madox Ford Society, the international community of scholars and enthusiasts that sustains and enriches Ford studies. In particular, we would like to thank Max Saunders, who helped refine our plans for the volume from its earliest stages and, later, contributed a chapter. Like Max, all of the contributors have been a pleasure to work with and to them we owe a great debt of gratitude.
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