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Theatre in the Old Maid Theatre in the Old Maid
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Actresses and Theatrical Networks Actresses and Theatrical Networks
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Opportunities Met and Missed Opportunities Met and Missed
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Notes Notes
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Works Cited Works Cited
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27 Theatrical, Periodical, Authorial: Frances Brooke’s Old Maid (1755–1756)
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Published:February 2018
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Abstract
Manushag Powell revisits Frances Brooke’s Old Maid (1755-6) to highlight its understudied interest in theatrical performance and criticism. Brooke’s interest in the drama was lifelong, encompassing not only personal ambitions that were partly thwarted by her famous quarrels with David Garrick over her Virginia and his King Lear, but also her friendship and eventual partnership with the powerful actress-manager Mary Ann Yates, who was also a close friend of fellow pioneering periodicalist Charlotte Lennox. Brooke’s interest in the theatre predated and reached far beyond Garrick’s involvement. Ultimately, the essay champions the radical ambitions of Brooke’s periodical writing and theatrical criticism, and both recognises and laments the fact that an alliance of female professional artistry could be enabled by the theatre, but not yet by periodical writing.
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