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“The Clothes of the Scythian,” or an Untimely Epilogue “The Clothes of the Scythian,” or an Untimely Epilogue
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The Coming of Apollo The Coming of Apollo
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Apollo in a Polovtsian Camp Apollo in a Polovtsian Camp
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“Russian Archaism” “Russian Archaism”
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Expert Knowledge, Reconstruction, and Reinvention Expert Knowledge, Reconstruction, and Reinvention
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Cite
Abstract
This chapter discusses modernist music and performance in the aftermath of the first Russian Revolution. It begins by looking at the unrealized ballet by Sergei Prokofiev, Ala and Lolli (1915). Initially commissioned from Prokofiev by Sergei Diaghilev in 1914, it was later rejected by him as “international music.” This prompted Prokofiev to rework it into a suite that acquired the subtitle that eventually turned into this work's main name: Scythian Suite. The chapter then traces the formation of the aesthetic ideology of Diaghilev's Ballets Russes enterprise, before considering Igor Stravinsky's early ballets. It argues that the critical discussion of these ballets exposed the scale of controversies associated with modernist archaistic experimentations. The discursive equation of the experimental with the “barbarian,” and of the latter with the “(faux) national,” placed such pieces as Prokofiev's Scythian Suite in the category of musical nationalism, even in the absence of inherent folkloric substrate. Finally, the chapter assesses the interaction between expert knowledge of native Russian traditions, programs of their revival or reconstruction, and forms of their (re)invention in modernist art.
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