
Contents
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3.1 A Concise Exploration of Film Distribution 3.1 A Concise Exploration of Film Distribution
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The three chains of film distribution The three chains of film distribution
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Informal film distribution Informal film distribution
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3.2 Copyright: A Blessing or a Curse? 3.2 Copyright: A Blessing or a Curse?
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3.3 An Exploration of Flm Criticism 3.3 An Exploration of Flm Criticism
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Every film needs a buzz Every film needs a buzz
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Analysis of a critical value judgement Analysis of a critical value judgement
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The film canon The film canon
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Conclusion Conclusion
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Cite
Abstract
This chapter offers a concise characterisation of the network of intermediaries: film distribution, the issue of copyright, and the phenomenon of film criticism. Film distribution traditionally forms the connection between film production and film exhibition. It determines which films are to be seen where, by whom, and under what circumstances. Film distribution companies are also the main suppliers for a curator. With regards to issues of copyright, a film curator has to acquire the formal permission to show a film in a public screening. Film curating, as well as professional film criticism, is part of a process of creating reputations. The possible similarity between the tasks of a professional film critic and a film curator is that both experts are attempting to provide relevant information to situate a film in its context and to propose structures of reflection, to reveal diverse relations of similarities and connections, to formulate value concepts, and to construct criteria of judgement.
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