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Coda: The Slave and the Child Coda: The Slave and the Child
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4 Of Scale and Sovereignty: Boys and Bees in Shakespeare’s Rome
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Published:May 2024
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Abstract
In the previous chapter, the scalar peculiarities of child figures indexed the intensity and incipience of life associated with the vegetative or arboreal metaphors of growth and futurity. In this chapter, such intensities appear in concert with figurations of parts and multiples, which reveal the tenuous humanity, especially of children, but, ultimately, of all subject to sovereignty, the unity of which depends upon the reduction of subjects to partial or fragmentary states, whether represented by figures of subhumanity, like enslavement, or figures of inhumanity, like swarms of insects. Although Shakespeare’s Roman works have been frequently associated with conversations about governmental form, particularly republican rule, they are also works that consider how the political future might be imagined with respect to dramas of multiplicity neither identical to nor captured by long-standing attention to the people as a political unit. Titus Andronicus reveals life in its magnitude as death-soaked, in the manner of revenge tragedies, but also, and more potently, the multiplicity of life appears as blight registered through negative enumeration in the urban tomb that is Rome. Julius Caesar and Coriolanus recast that negative multiplicity as a tension between the subhuman and the superhuman, between singular individuals and all-too-numerous collectivities.
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