Music in Golden-Age Florence, 1250-1750: From the Priorate of the Guilds to the End of the Medici Grand Duchy
Music in Golden-Age Florence, 1250-1750: From the Priorate of the Guilds to the End of the Medici Grand Duchy
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Abstract
This book is a general history of music in Florence from the late Middle Ages (around 1250) to the end of the Medici regime (around 1750). Its fundamental premise is that monumental Florentine achievements in the history of literature, political thought, the arts, and science may have obscured equally consequential achievements in music. If Florence was the home of Dante, Machiavelli, Michelangelo, and Galileo, it was also the birthplace of the madrigal, opera, and the piano. The book seeks to correct the imbalance in our understanding of Florentines’ attainments in music relative to other realms of human activity. The book also explores some defining characteristics of Florentine musical culture relative to other centers of cultural activity: among others, the phenomenon of “Florentinism,” a purposeful celebration of distinctively Florentine accomplishments; an alternation between an openness to non-Florentine influences on the musical culture and a contrasting tendency for Florentines to close in on themselves; a Florentine tendency to concentrate and expend creative energy on the initial innovation, after which Florentines can cede primacy to other centers of musical activity; and the increasing tendency to deploy the arts (including music) to facilitate and then consolidate the establishment of the Medici duchy after centuries of a proud Florentine republican political tradition. Music is the mirror of society.
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Front Matter
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Book the First Music in Late-Medieval Florence: The Duecento and Trecento: Music and the Ecclesiastical and Political Organization of the Late-Medieval City
Anthony M. Cummings-
The Duecento
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The Trecento
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Book the Second Music in Renaissance Florence I: The Quattrocento: Aristocracy Emulated: The De Facto Medici Regime
Anthony M. Cummings -
Book the Third Music in Renaissance Florence II: The Cinquecento: Aristocracy Achieved: The De Jure Medici Regime, Family as Country, and “Florentinism”
Anthony M. Cummings -
Book the Fourth Music in Florence in the Baroque Era: Cross-Genre Influences: Monody, the Stile Recitativo, and the Stile Concertato in Florentine Music of the Seicento and Early Settecento
Anthony M. Cummings -
End Matter
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