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“Yet It Still Moves”: Photographic Memory “Yet It Still Moves”: Photographic Memory
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Republic of Letters Republic of Letters
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1 “Old Haunts”: Photographic Memory, Motion, and the Republic of Letters
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Published:May 2023
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Abstract
This chapter outlines how Joyce’s writing attracted the interest of combatants in the Irish revolution, especially through his friendship with the socialist veteran of the Easter Rising, Thomas M. Pugh, and the subsequent engagement with Joyce’s work by many leading Republicans of the period, whether in criticism, journalism, or private reading. “Photographic memory” linked both Joyce and Pugh, and the extent to which Joyce’s fiction translates the “paralysis” of the still image into a more dynamic moving image, may account for the manner in which the modernity of Dublin in Ulysses was perceived as capturing structures of experience that laid the basis of the insurrection. This vision in Ulysses, of a past that still had a future, appealed to republican activists, such as Eileen MacCarville, Roisín Walsh, Sean Dowling, and the American left-wing novelist, James T. Farrell.
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