
Published online:
18 May 2023
Published in print:
06 December 2022
Online ISBN:
9780226793290
Print ISBN:
9780226793016
Contents
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Introduction Introduction
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Accumulation and Animation Accumulation and Animation
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Ornaments and Omissions Ornaments and Omissions
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African Antiquities and European Rivalries African Antiquities and European Rivalries
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Chapter
1 Forming a Field: Colonial Collecting, Racial Omissions, and National Rivalries
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Pages
19–40
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Published:December 2022
Cite
OXFORD ACADEMIC STYLE
Probst, Peter, 'Forming a Field: Colonial Collecting, Racial Omissions, and National Rivalries', What Is African Art? A Short History (Chicago, IL , 2022; online edn, Chicago Scholarship Online, 18 May 2023), https://doi.org/10.7208/chicago/9780226793290.003.0002, accessed 28 Apr. 2025.
CHICAGO STYLE
Probst, Peter. "Forming a Field: Colonial Collecting, Racial Omissions, and National Rivalries." In What Is African Art? A Short History University of Chicago Press, 2022. Chicago Scholarship Online, 2023. https://doi.org/10.7208/chicago/9780226793290.003.0002.
Abstract
This chapter outlines the emergence of African art as a field of study. The focus is on the interplay of scientific and political interests that shaped the early formation of the field. At the center of the discussion stand the processes of colonial collecting and the manifold ways by which a host of actors imbued the collected objects with new meanings and values. The chapter discusses this process by focusing on the role of collections in the new ethnographic museums, the place of African artifacts in debates about the evolution of art, and the national rivalries informing colonial collection policies.
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