House Full: Indian Cinema and the Active Audience
House Full: Indian Cinema and the Active Audience
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Abstract
Popular Indian cinema provides entertainment for people from all walks of life but equally importantly, cinema provides collective experience and a common referent in a country of mind-boggling diversities. Drawing on in-depth, multi-year ethnography in the South Indian city of Bangalore and involving participant observation on film sets, watching films in stratified cinema halls, accompanying habituated audiences to the cinema and conversations with moviegoers, exhibitors, distributors, ushers, fans and filmmakers, House Full makes a case for a total perspective on cinema film. It argues that the magic of motion pictures in India cannot be understood without addressing the liveness of cinema, its social existence and cultural ramifications, and most importantly, its audiences. Indeed by exploring the concept of cinema as a participatory and collaborative making that includes audiences and their aesthetic and social practices, the book offers new analytical approaches and new ways to think about cinema film.
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Front Matter
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1
Introduction
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2
Participatory Filmmaking and the Anticipation of the Audience
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3
Cinema Halls, Audiences, and the Importance of Place
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4
Audiences Negotiate Tickets and Seating
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5
Families, Friendship Groups, and Cinema as Social Experience
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6
Active Audiences and the Constitution of Film Experience
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7
“First Day, First Show”: A Paroxysm of Cinema
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8
Conclusion
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End Matter
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