
Published online:
21 February 2013
Published in print:
01 May 2009
Online ISBN:
9780226703374
Print ISBN:
9780226703442
Contents
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1. Janus-Faced Modernities 1. Janus-Faced Modernities
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2. Modernist Alienation or Subaltern Solidarity? 2. Modernist Alienation or Subaltern Solidarity?
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Chapter
chapter 6 Caliban's Modernities, Postcolonial Poeteries
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Pages
117–140
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Published:May 2009
Cite
OXFORD ACADEMIC STYLE
Ramazani, Jahan, 'Caliban's Modernities, Postcolonial Poeteries', A Transnational Poetics (Chicago, IL , 2009; online edn, Chicago Scholarship Online, 21 Feb. 2013), https://doi.org/10.7208/chicago/9780226703374.003.0006, accessed 5 May 2025.
CHICAGO STYLE
Ramazani, Jahan. "Caliban's Modernities, Postcolonial Poeteries." In A Transnational Poetics University of Chicago Press, 2009. Chicago Scholarship Online, 2013. https://doi.org/10.7208/chicago/9780226703374.003.0006.
Abstract
This chapter examines how postcolonial poetry responds to the technology, alienation and other features of global modernity. It compares this response to those of the more canonically modernist poetries of the Euro-American metropole and of the Harlem Renaissance. This chapter describes the shared alienation and mutually ambivalent response to the shock and creative potential of modernity on the part of canonical modernists by both the Harlem Renaissance and postcolonial poets.
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