Tudor Autobiography: Listening for Inwardness
Tudor Autobiography: Listening for Inwardness
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Abstract
Histories of autobiography in England often assume the genre hardly existed before 1600. But this book investigates eleven sixteenth-century English writers who used sermons, a saint's biography, courtly and popular verse, a traveler's report, a history book, a husbandry book, and a supposedly fictional adventure novel to share the secrets of the heart and tell their life stories. In the past, such texts have not been called autobiographies because they do not reveal much of the inwardness of their subject, a requisite of most modern autobiographies. But, according to the author of this book, writers reveal themselves not only by what they say, but by how they say it. Borrowing methods from affective linguistics, narratology, and psychoanalysis, she shows that a writer's thoughts and feelings can be traced in his or her language. Rejecting the search for “the early modern self” in life writing, the book instead asks what authors said about themselves, who wrote about themselves, how, and why. The result is a glimpse into a range of lived and imagined experience that challenges assumptions about life and autobiography in the early modern period.
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Front Matter
- 1 Autobiography—What Is It?: Issues and Debates
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2
Lyric Autobiography: Intentional or Conventional Fallacy? The Poetry of John Skelton (1460–1529) and Thomas Wyatt (1503–42)
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3
Identity in Autobiography and Protestant Identification with Saints: John Bale and Paul in The Vocacyon of Johan Bale (1553)
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4
Autobiography: History or Fiction?: William Baldwin Writing History “under the Shadow of Dreames and Visions” in A Mirror for Magistrates (1559)
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5
Sharing Secrets “Entombed in Your Heart”: Thomas Whythorne's “Good Friend” and the Story of His Life (ca. 1569–76)
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6
Adding an “Author's Life” Thomas Tusser's Revisions of A Hundreth Good Points of Husbandry (1557–73)
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7
A Garden of One's Own: Isabella Whitney's Revision of [Hugh] Plat's Floures of Philosophic (1572) in Her Sweet Nosgay (1573)
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8
Erasing an Author's Life: George Gascoigne's Revision of One Hundreth Sundrie Flowres (1573) in His Posies (1575)
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9
Autobiography in the Third Person: Robert Greene 's Fiction and His Autobiography by Henry Chettle (1590–92)
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10
Autobiographers: Who Were They? Why Did They Write?
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End Matter
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